Tonight was a fun night.
Due to several factors (finances, age, motivation, among others), I don't really get out too much when it's not the concert season (that being the summer generally), so it's nice when I do get out and it turns out to be a lot of fun.
Val and I had tickets to go see Jim Norton at the Stress Factory in New Brunswick.
Our tickets were for the early show; one of 5 shows of the weekend (at least 4 of them sold out).
We got there at about 5:50 PM to wait for the 6:00 PM opening of the doors. There were maybe 30 people or so ahead of us. Not a problem, because we easily got our new favorite table which is such a location so as to accommodate my "generous" build.
Since there's still almost 2 hours until show time, we ordered some food. It should be noted that the Stress Factory is a comedy club, not a restaurant, so the food is...well...edible. We played it safe and ordered the Improv Sampler, which consisted of 2 mozzarella sticks, 2 chicken fingers, 2 jalapeño poppers, and a handful of curly fries. Val doesn't care much for the poppers, so in return I let her have the one really good curly fry (you know, the one that looks like a potato slinky).
After the sampler and one or two Yeunglings, we decided to each order the one thing that is genuinely tasty at the Stress Factory, and that is the hot pretzel. At $3.75 each, they ought to be good. :-)
After the obligatory "funniest home videos" on the screens, followed by 5 minutes of panning and scanning the room with the in house camera and zooming in on random patrons complimented by text "remarks" on the screen (for example, when we went to see Bill Burr a few months back, the camera zoomed in on me and the text came up saying, "Needs Viagra"), the show started promptly at 8:00PM.
As always, club-owner Vinnie Brand started things off as MC. After his opening monologue, on came the opener, a very funny gentleman named Melvin George. We had never heard of him before, but he was very funny and entertaining. If I had to guess, I'd say the only thing keeping him from being more of a rising star is that he wasn't topical. His act was obviously entirely rehearsed, and he pretty much didn't say anything about the election (or anything really related to current events). Sure, it was only 4 days ago, but that's the point. A truly good comic would have come up with something pretty quickly.
Again, he was very funny and everyone obviously liked him. I'm only speculating as to why I haven't really heard of this guy.
He did about 40 minutes, and Jim Norton came on shortly before 9:00PM. Jimmy, as always, killed with his unique brand of politically incorrect humor. For any of you who may not have heard Jimmy's act (be it on stage, screen, or the airwaves with Opie & Anthony), just imagine the bastard child of Richard Pryor and George Carlin.
Jimmy did about a 90 minute set. After the show, Jimmy was selling and signing his new book, "I Hate Your Guts". I didn't stick around because I already have and read the book, and I didn't feel like waiting in line. How about that...I even lack motivation as a fan-boy. ;-)
Val and I then went to Marita's Cantina (two blocks away) for a nightcap of nachos and beer.
There was a live local band playing tonight, so there was a $5 cover charge to get in. We made that up when we got inside because Val had a friend behind the bar that gave us the first round "on the house." We ended up getting an order of nachos, two beers, and a shot for $20, which included a 35% tip.
We didn't stay long, because it became apparent very quickly that we could easily have been the subject of a "what's with the old people?" comment from just about anyone else in there.
After hearing the band play a Beatles cover, a Santana cover, and (what they referred to as) a Metallica cover, that being Bob Seger's "Turn The Page" (and yes, I know Metallica popularized that song, but these guys called it a Metallica cover. It's not. It's a Bob Seger cover. If you're a bar band and you play "I Shot The Sheriff," you would not be doing an Eric Clapton cover. 'Nuff said.), Valerie made the observation that her and I were the only ones in the whole place that were older than the music. Although, we were suspicious of one of the guitar players which may have been the others band members' dad. ;-)
So anyway, it was a fun night, and I would recommend that you go catch Jim Norton if you can, and buy his book.
Mark - Smober for 3 Years, 6 Months, 24 Days, 20 Hours and 46 Minutes, while extending my life expectancy 181 Days and 5 Hours, by not smoking 52195 nicotine delivery devices that would have cost me $14,202.78.
This blog exists for no particular reason. It will have no clear direction, nor is anything of substance a guarantee. Take it for what it isn't, or leave it for what it is.
Sunday, November 09, 2008
Saturday, October 25, 2008
Not a spam blog!
This content-less blog post is for no other reason than to say that this is the first post in I don't know how long that I didn't have to input a "captcha" to post it because it was flagged as a "spam blog".
It's been at least a year or two.
Now watch me jinx myself with this post. :-/
It's been at least a year or two.
Now watch me jinx myself with this post. :-/
Tuesday, July 15, 2008
Sticks and stones....
By now you've likely heard about the controversial cover on The New Yorker magazine this week. If not, check out the Huffington Post for a quick summary.
Apparently this satirical cartoon drawing has some left-wing pundits and dignitaries all up in arms, including the subject himself. The consensus among them seems to be that the cover is "tasteless and offensive" (the exact apprisal from the Obama campaign, btw).
Here's the thing...it is satire, which by the way, was published on the cover of a left-wing publication! It was implicitly designed to point out the absurdity coming from the right about Obama! How anyone could not see this is beyond me.
A friend recently said to me, "For anyone who is well educated, [voting for] Obama is a no-brainer."
Okay, for someone with a Bachelor's degree in Marketing and who tries to keep up with current events and is reasonably well-read, this is not necessarily true. I happen to still play the middle and am still weighing the pros and cons of both camps (always my preference over blindly following one side).
But let's just say for argument's sake that the statement is valid. Intelligent voters may support Obama, but that does not mean it works the other way. That is to say that not all Obama supporters are intelligent. This is evident by the uproar caused by this cartoon. Of course, as is the case any time a black person is targeted in any way whatsoever, Al Sharpton had something to say about it. What else is new? And as is the case almost any time he gets involved in something, it's an occasion where I can point out something often overlooked in this increasingly politically correct nation; it is not a right of an American citizen to not get your feelings hurt! You do not have the right to not be offended!
In fact, quite contrary, it was the artist's freedom of expression, and The New Yorker's freedom of the press that was at play here, and kudos (respectively) to the both of them for standing behind the drawing and the subsequent publication of said drawing.
Funny, it's usually the liberals that have the sense of humor, but they are also the biggest whiners when they don't get the joke.
Speaking of Obama supporters, I'm not sure if ever in my lifetime I've seen a candidate with so much "blind" support. If you're not sure what I mean by this, go find 10 random people that are supporting Obama, and get back to me if more than 1 (2 at the most), can give you a thought-out, legitimate reason for supporting him. Dollars to donuts that you'll mostly get "I like the way he speaks for change" or other similarly vacant stances.
Which segues nicely into Obama's "change". Here's an interesting quote from the aforementioned Huffington article, which is actually citing another article (of which I've only read 2 of 15 pages so far):
Now, maybe I'm reading the above paragraph wrong, but the way I read it, it seems that if this is true, then Obama (if and when elected) will bring about anything but change. It sounds like he's best at playing the game as is. Just another cog in the wheel.
Three years, three months, one day, 18 hours smober.
47551 cigarettes not smoked, saving $12,482.14.
Apparently this satirical cartoon drawing has some left-wing pundits and dignitaries all up in arms, including the subject himself. The consensus among them seems to be that the cover is "tasteless and offensive" (the exact apprisal from the Obama campaign, btw).
Here's the thing...it is satire, which by the way, was published on the cover of a left-wing publication! It was implicitly designed to point out the absurdity coming from the right about Obama! How anyone could not see this is beyond me.
A friend recently said to me, "For anyone who is well educated, [voting for] Obama is a no-brainer."
Okay, for someone with a Bachelor's degree in Marketing and who tries to keep up with current events and is reasonably well-read, this is not necessarily true. I happen to still play the middle and am still weighing the pros and cons of both camps (always my preference over blindly following one side).
But let's just say for argument's sake that the statement is valid. Intelligent voters may support Obama, but that does not mean it works the other way. That is to say that not all Obama supporters are intelligent. This is evident by the uproar caused by this cartoon. Of course, as is the case any time a black person is targeted in any way whatsoever, Al Sharpton had something to say about it. What else is new? And as is the case almost any time he gets involved in something, it's an occasion where I can point out something often overlooked in this increasingly politically correct nation; it is not a right of an American citizen to not get your feelings hurt! You do not have the right to not be offended!
In fact, quite contrary, it was the artist's freedom of expression, and The New Yorker's freedom of the press that was at play here, and kudos (respectively) to the both of them for standing behind the drawing and the subsequent publication of said drawing.
Funny, it's usually the liberals that have the sense of humor, but they are also the biggest whiners when they don't get the joke.
Speaking of Obama supporters, I'm not sure if ever in my lifetime I've seen a candidate with so much "blind" support. If you're not sure what I mean by this, go find 10 random people that are supporting Obama, and get back to me if more than 1 (2 at the most), can give you a thought-out, legitimate reason for supporting him. Dollars to donuts that you'll mostly get "I like the way he speaks for change" or other similarly vacant stances.
Which segues nicely into Obama's "change". Here's an interesting quote from the aforementioned Huffington article, which is actually citing another article (of which I've only read 2 of 15 pages so far):
The companion article by Ryan Lizza, who has written extensively about the campaign, traces Obama's early career and rise through Chicago politics. It's very long (18 pages!) and probably won't thrill a lot of Democratic party faithful, either, since it advances the image of Obama as a skilled and calculating politician who rose by becoming a master of the game:
"[P]erhaps the greatest misconception about Barack Obama is that he is some sort of anti-establishment revolutionary. Rather, every stage of his political career has been marked by an eagerness to accommodate himself to existing institutions rather than tear them down or replace them....he has always played politics by the rules as they exist, not as he would like them to exist. He runs as an outsider, but he has succeeded by mastering the inside game."
Now, maybe I'm reading the above paragraph wrong, but the way I read it, it seems that if this is true, then Obama (if and when elected) will bring about anything but change. It sounds like he's best at playing the game as is. Just another cog in the wheel.
Three years, three months, one day, 18 hours smober.
47551 cigarettes not smoked, saving $12,482.14.
Wednesday, July 09, 2008
It ain't over just yet...
Got this from the zappa.com message board. I was just going to link it, but it probably won't be there for long.
It's Andre addressing Dweezil's response:
Tuesday, July 08, 2008
Correcting The Record......
Sigh.
Hello everyone.
-Of course Dweezil is entitled to his opinion, and much of his blog is just that. I will try to address the falsehoods.
1. Sorry, Dweezil.....despite what you think --"My dream come true" wouldn't be seeing you spell my name right (thanks!) - it would be for you and your family to leave me alone forever. Folks - I have a stack of lawsuit threats from the ZFT that will eventually be publicized after further counsel. It's been a stupid, long journey, one that actually results in much laughter for us in Project/Object as we tour around enjoying the performing of Frank Zappa's music, something we'll do for as long as we feel like it. We prefer to honor FRANK'S LAST WISH.... wherein he asked musicians AND non-musicians to "PLAY MY MUSIC." And it's funny how you repeatedly say You "could care less about me" etc...yet you write 20 paragraphs!!!!
At least I am brutally honest -- I am often fascinated with the dark energy you guys keep unleashing on fans, alumni and others who cross your path. Watching what pushes Gail's button, seeing what will make her freak out and post in some weird, cryptic response to a puzzled fan....And writing intensely about it exorcises it from my soul.
Then a few months later Gail freaks out on someone or sues them, and I feel the need to jump right in again. You're right - I'm hopeless!! last time - was when she went after that site for playing 30-year old cassette tapes of your Dad's music!!! Wasn't that a riot! Hundreds of people weighed in their disgust - again- with her behavior and clear disdain for the fans. I love how she has made you all those new fans in Germany by SUING THE ZAPPANALE... pissing off countless EU fans forever, If you are to believe their angry posts. But -- that's all for another book.
2. Dweezil wrote/blogged:
"The following are actual private e-mails between me and Adrian Belew. (I apologize to Adrian in advance if this causes him any aggravation.) I would not normally be inclined to use private information in this way but it perfectly illustrates the details of the "non event" that follows."
Wow -- how very unprofessional. And... upping the ante, huh?? I have chosen to never publish incredibly damaging emails from people very very close to Dweezil, close by profession and blood. His mother always has a big bunch of legalese in HER emails threatening legal action if HER emails are re-distributed....
...Yet, He sees fit to publish someone's private email to him...without asking first. That's some deep shit folk -- but are you surprised? And BTW -- I will for the sake of clarity consider Gail's actions identical/tantamount to Dweezil's, since he, his tour, and his work are pretty much controlled and owned as a corporate entity by her.
3. Dweezil then wrote:
"After this first electronic exchange I was informed that Adrian was employing André Cholmondeley as his guitar tech. André's propensity for spreading misinformation and negativity has earned him a reputation. A reputation for being obnoxious and creating conflicts. Since those personality traits hold no appeal for me I decided to write back to Adrian with a request."
Well -- first the funny part -- to see Dweezil Z. write "... personality traits (being obnoxious and creating conflicts) hold no appeal for me" is one of the funniest things I've ever seen...Wow. Do I even have to respond?? With a tour manager like he has (note the several stories cropping up about how she, Mary Jo, EXACTLY fits that description....) Whatever. Check Dr Dot's blog for Mary Jo's horrible, unprofessional and rude conduct at a ZPZ show in Germany. Then -- check the record for such conduct from me.
Anyway - the FACTS are as follows:
Adrian - who I spoke to minutes ago - has this to say, precisely: "..When I received the 2nd email -- After thinking about it, I was incensed - I thought Who is he (Dweezil) to tell me where my crew should be. I need André there at my show - how does he expect him to not be there after as well -- with the gear breakdown, etc."
He also reiterates what he told me right after the SCREAMING and PUSHING that his monitor guy delivered.
Adrian did not tell me, and instructed others not to, so as to not distract or upset me when I had a very busy, difficult job to do at our festival.
FACT: I WAS COMPLETELY UNAWARE OF DWEEZIL's silly, immature, and out-of-place "persona non grata" request.
I will say this-- I regret now that I chose THAT particular part of the stage to check out the show from. In hindsight -- I should have went to the rear part of stage left-- where local crew people were gathered and I would have been lost in a small crowd. Without thinking -- I ran up the stairs of the nearest vantage point from our trailer -- the monitor area. No 'wacky, evil plot' was in place. Just a random place to watch the show.
I mostly place the blame on Dweezil, of course, for such a questionable request. But - Dave Tobias/monitor guy -- real drag, Dave, that you couldn’t have just been an adult and asked me to leave.
More Dweezil Ephemera ("Bold/Quoted text"):
" [Andre'..]..has made many transgressions musical and otherwise regarding Frank over the years"
I'd love to see these listed, Dweezil. Go for it. I dare you. Would some of those transgressions be.......helping to bridge the gap between the early '90s and when you FINALLY discovered you could actually get a gig, by playing your dad's music??? Was it when I helped get a lot of alumni BACK on the road?? Was it all the times I plugged ZFT CD releases to people who had no idea of them ...'cos you guys weren't advertising well?
"It is also clear by his e-mail that he (Adrian Belew) is aware of the existing circumstances that could warrant such a request."
No-- what Adrian said (read it folks) was - he was aware of BITS OF THE RHETORIC. Huge difference. Adrian is all about the music. His music, first and foremost. He appreciates what Frank did for him, but he doesn't wade into the muck, and I never drag him into stuff.
Then the crux of the biscuit:
"...Showtime for Zappa Plays Zappa. Dave Tobias is mixing our in ear monitor mix and is dealing with a keyboard that has lost phantom power. Andre saunters up and tries to make himself at home in Dave's work area. Why would he attempt to do this? Surely he has been told that it would be polite to stay away by his friend and employer Adrian Belew. One must ask, "Why not go enjoy the show from the audience or anywhere else... just be polite and respect a simple request?" Besides, who willingly wants to be in a place where they know they are not welcome?"
So here are a couple things:
-Having worked and played countless festivals -- I know that with a laminate, you can watch from WHEREVER as long as it isn't interfering with crew activity, sightlines, space, or ACTUALLY on the stage. And even that is allowed by some bands. Take a look at ANY festival -- the sidestage is usually crowded with other crew people, techs, friends, press, etc. So that's just dumb.
Again - IF I HAD BEEN told -- MOST OF ALL BY DAVE/MONITOR GUY HIMSELF -- who was all nice and chatty with me just 2 hours earlier during OUR SHOW…then I wouldn't have come up there.
-Dweezil says definitively -- all of a sudden -- that "Surely he (Andre') has been told."
No, Dweezil, get it thru your head. I wasn't aware of your wishes, and I know YOU were explained this fact by several of your staff/crew, who it was made clear to. Some of them apologized for not telling me -- so I know the truth is known in your camp.
"Besides, who willingly wants to be in a place where they know they are not welcome?"
Try again, Pal. The fact is YOU were the ONLY person there who made me feel not welcome. Well, OK, let's include Dave and the next night, Tour Manager Mary Jo. I like how you ignored her getting physical with me the next night. Otherwise - EVERY LAST PERSON on your crew/bandstand was OK with my presence. Deal with it.
Here's where the LIE'S SO BIG kicks in, folks:
"...Dave stops Andre and relays the message that he is not supposed to be there. No touching, pushing or spitting occurred."
Outright, complete, utter LIE. And there are witnesses – but, of course, on this one point....we are descending into he said/she said. Dave was SCREAMING at me, and NO WAY can he blame the in-ear monitors. He spat in my face the whole time as he screamed 2-3 inches from me. When I say spit -- I mean the kind of obnoxious 'spittle' that happens when someone is right in your face, yelling. Dave is outright LYING if he now denies this. If he did nothing wrong ---Why did he apologize, and then apologize AGAIN the next day. We shook hands. There are countless witness to all this, both days.
I mentioned Dave being cool earlier in the day, to explain my shock that he was suddenly pushing, shoving me backwards on the little monitor stage area.
"Apparently Adrian must not have made it clear to him that he was not welcome in the stage area"
Well -- that's.....Completely true !! No one told me - Not Adrian - for reasons listed above -- BUT WORST OF ALL -- NOT YOUR GUITAR TECHS -- NO ONE IN YOUR CREW, NOT DAVE...NO ONE. Dave had every right to say, after we were rapping about amps and laptops, "hey, man --- this kinda sucks, but you can't be around here later on. Dweezil has requested we make sure you NOT be onstage. Don't be around when we start."
I would not have been surprised at all, really. But I would have KNOWN IN ADVANCE!! Really lame that all these ZPZ crew/tech/band people came up and said Hi and didn't tell me.
And -- you won't hear from Any ZPZ or ZFT people...because they are contractually required to NOT TALK ABOUT the ZFT. Can you find anyone who does speak about their time in the tank?? It's a scary, control-freak little world in there.
DWEEZIL: "The show the next night had no incident whatsoever. Andre still temerariously snuck himself to the side of the stage though. It's just his way. He can't help himself."
Funny stuff. "Snuck On"...?? Jeez. Try harder, pal.
Folks -- it was a festival with scores of bands -- I had a laminate on that guaranteed me access to ANY STAGE at ANY TIME throughout the fest. That's how it works in the REAL WORLD, Dweezil. Maybe when you have your OWN band you may learn this. Remember how that band "Z" ended, folks?? Lots of fun stories there about how people are treated by Mr. Dweezil Zappa. Go check the facts on how people were removed from THAT organization. Horrible.
So -- after packing the Belew Band gear in to our van -- I came up to stage left, to hear some of my fave music -- trying to STAY OUT OF DWEEZIL'S SIGHT, and actually honor the requests of the crew guys, all of whom, again, were really cool. I feel sorry for them, that's all. But -- one day, one by one, they will not be working in the Gulag -- and you will only hear MORE stories. Mark my words.
DWEEZIL: Contrary to his report where claims he locked eyes with me at some point during the show, I'm here to tell you that it never took place. He'd know if I locked eyes with him. "What an imagination"
Dweez...! I thought we had a connection bro.... c'mon I KNOW you did...I was feelin' all fuzzy....Didn't you feel something....anything??? I feel so cheap....
Seriously tho' - I'm willing to conclude I was mistaken. But -- It sure looked like he was looking RIGHT AT ME. See -- I don't believe half of what Dweezil says, based on the last couple years of watching how ZFT deals with agreed-upon money deals, DVD payments and the like.. Anyway --Like I said -- I tried to stay far out of his view - I was back FURTHER than the percussion and drum riser line, way back on stage left. Doesn't this guy realize if I were TRYING TO PISS HIM OFF I would have insisted on standing on stage right near his tech so he could see me?? Or going out to the front row or photo pit?? All places I was legally allowed to be?? Crazy fucking delusions of grandeur.
Finallly -- addressing his personal paragraph to me ( How neat!! He cares!! Sigh.....!!)
- I Don't need your "respect", pal. Never did, Never will. Not yours, or anyone in the ZFT. And neither does a fan favorite like Ike Willis, who is appalled at your behavior in all this. He can't wait to get on the road again -- despite your mom going after him every time he tries to play a gig. (Everyone -- please check the facts about the HORRIBLE crap Gail pulled on URR when they tried to tour around December 21 2007. Embarrassing. My fave part was GAIL --GOING AFTER THE BEER COMPANY that does the Zappa beer -- 'cos the owner dared donate some cases of beer to the shows!!! How petty and psycho is THAT?? Wanna deny that, Dweezil?? Wanna explain it?? A matter of Public record. Folks -- just check the history. I sleep at night 'cos volumes of examples of fucked up behavior back up my side of this sordid mess, which I can't wait to be away from, really. But I don't like lies being published.
-I don't insult Frank's "family". The close family members of Frank's that I speak with regularly say they have not seen or spoken or heard from you, Dweezil, or any of you....for AGES, since we are spilling ugly personal info. I wonder why that is. Any thoughts?? I have some, and many facts to go with those thoughts. But -- those are for a later book, believe me. Interesting, huh, folks.
- My band, and ALL the other bands Gail wastes Frank’s hard-earned money suing, stays within the LAW when playing Zappa music. Ask yourself -- could we all do it YEAR AFTER YEAR, if they didn't?? More Crazy talk. And -- a funny aside -- ZPZ does the "Owner of a lonely heart" vamp for the solo in "Bamboozled" . OK fine. Are you guys paying Royalties to YES for each performance?? Every night?? Did the festival have publisher paperwork done -indicating that you were doing a cover?? What was the COMPOSER'S INTENT for that YES song??? Hmmmm. See how silly and baseless such a line of attack is? And why it GOES NOWHERE???
- I don’t "fawn" over alumni --- But --I truly love the ones I have been blessed to become good friends with. It's called LOYALTY, Dweezil - LOOK IT UP.
See- I UNDERSTAND that the fans LOVE the alumni. The fans-- unlike you, it seems -- understand that your dad hired VERY SPECIAL PEOPLE -- who not only had talent,..... but that indescribable certain something else. So many of them brought PERSONALITY to the works..... and THAT's what sets us apart. I am unafraid to celebrate the ALUMNI, and unashamed in gushing over them, that's right. I love 'em !!! They are what MAKES the sound of so many Zappa classics, and that's why he brought certain people back so many times.... It' cool - you just have a different perspective. It's OK.
Where's the LEAD SINGER from the first tour?? Why didn't he come back??? What happened there? Maybe if you guys start making money again -- you can offer him enough to come back, I dunno. But -- funny how you can’t get ANYONE who will really sell more tickets. I LOVE Ray White -- another guy who played several times with Project/Object.......before your band. But -- with all due respect -- he doesn't sell you more tickets, does he?? Not insulting Ray at all -- but fans of him are ALREADY COMING TO YOUR SHOW. And I will continue to talk to more alumni and collect horrific stories about how you and Gail have treated them. And you know that's true. I bet you just convince yourself THEY'RE ALL CRAZY.
Basically --your show is JUST ANOTHER ZAPPA COVER BAND. One with a bigger budget than most, but......to me a band like The Grandmothers is FAR more exciting....'cos the HISTORY is there. just my opinion. They still remember when you came to see them -- stood with your arms folded at HARD ROCK CAFE in LA, and were too rude to come back and say hi. To guys whom HELPED MAKE YER DAD'S EARLY CAREER. But -- that would require respect. Remember that night??
Dr Dot has re-posted your great quote about alumni. Remember that? The problem is - while you say you have no use for them - YOU NEED THEM if you EVER hope to turn around the horrible ticket-sales slide you are experiencing. Good luck!!
-I don't need attention. My life is plenty busy and fine, thank you. I DO have an unhealthy obsession with getting the facts into the public record. NONE of this would have happened if your scared crew had simply told me to stay away. So -- I lay the blame mostly there. BTW - I was offered MUCH support from a lot of your crew after the lame-ass attack. Good luck with them. They know the deal.
PS -- the most obnoxious part of this was Dweezil's inappropriate choice to post Adrian Belew's PRIVATE EMAIL without consent. Lame. Good thing that wasn't the OTHER way around -- the incredibly litigious "Zappas" would probably sue.
To wit -- here is what Gail (at least in 2005) adds to her emails. It's standard boilerplate privacy request, but, like most protocol, the "Zappa" "Family" feels they are above such nonsense as treating people the way THEY want to be treated.
gz
copyright 2005 Zappa Family Trust.
CONFIDENTIALITY NOTICE: This e-mail transmission, e-mail address and any documents, files or previous e-mail messages attached to it may contain confidential information that is legally privileged. If you are not the intended recipient, or a person responsible for delivering it to the intended recipient, you are hereby notified that any disclosure, copying, distribution or use of any of the information contained in or attached to this transmission is STRICTLY PROHIBITED. If you have received this transmission in error, please immediately notify the sender. Please destroy the original transmission and its attachments without reading or saving in any manner. Thank you.
So - in closing -- have a Good Day, all. I will continue to try to do my job well, and will continue to tour with various bands I play in -- including PROJECT/OBJECT -- Playing the great music of FRANK ZAPPA...and the (OFTEN SUED-BY-GAIL Mothers) anyway, anytime and whenever I choose, and with whom I choose. I will continue to stay fully within the law in doing so -- and I will continue to enjoy meeting great, fellow FRANK ZAPPA FANS.
Hmm. maybe we call our next tour ZAPPA FANS PLAY ZAPPA?? What do you think? Any votes out there?? or PERSONA NON GRATA?? I know it will be great fun -- and all are welcome. Stand by very very soon for dates and special alumni participation.
It's Andre addressing Dweezil's response:
Tuesday, July 08, 2008
Correcting The Record......
Sigh.
Hello everyone.
-Of course Dweezil is entitled to his opinion, and much of his blog is just that. I will try to address the falsehoods.
1. Sorry, Dweezil.....despite what you think --"My dream come true" wouldn't be seeing you spell my name right (thanks!) - it would be for you and your family to leave me alone forever. Folks - I have a stack of lawsuit threats from the ZFT that will eventually be publicized after further counsel. It's been a stupid, long journey, one that actually results in much laughter for us in Project/Object as we tour around enjoying the performing of Frank Zappa's music, something we'll do for as long as we feel like it. We prefer to honor FRANK'S LAST WISH.... wherein he asked musicians AND non-musicians to "PLAY MY MUSIC." And it's funny how you repeatedly say You "could care less about me" etc...yet you write 20 paragraphs!!!!
At least I am brutally honest -- I am often fascinated with the dark energy you guys keep unleashing on fans, alumni and others who cross your path. Watching what pushes Gail's button, seeing what will make her freak out and post in some weird, cryptic response to a puzzled fan....And writing intensely about it exorcises it from my soul.
Then a few months later Gail freaks out on someone or sues them, and I feel the need to jump right in again. You're right - I'm hopeless!! last time - was when she went after that site for playing 30-year old cassette tapes of your Dad's music!!! Wasn't that a riot! Hundreds of people weighed in their disgust - again- with her behavior and clear disdain for the fans. I love how she has made you all those new fans in Germany by SUING THE ZAPPANALE... pissing off countless EU fans forever, If you are to believe their angry posts. But -- that's all for another book.
2. Dweezil wrote/blogged:
"The following are actual private e-mails between me and Adrian Belew. (I apologize to Adrian in advance if this causes him any aggravation.) I would not normally be inclined to use private information in this way but it perfectly illustrates the details of the "non event" that follows."
Wow -- how very unprofessional. And... upping the ante, huh?? I have chosen to never publish incredibly damaging emails from people very very close to Dweezil, close by profession and blood. His mother always has a big bunch of legalese in HER emails threatening legal action if HER emails are re-distributed....
...Yet, He sees fit to publish someone's private email to him...without asking first. That's some deep shit folk -- but are you surprised? And BTW -- I will for the sake of clarity consider Gail's actions identical/tantamount to Dweezil's, since he, his tour, and his work are pretty much controlled and owned as a corporate entity by her.
3. Dweezil then wrote:
"After this first electronic exchange I was informed that Adrian was employing André Cholmondeley as his guitar tech. André's propensity for spreading misinformation and negativity has earned him a reputation. A reputation for being obnoxious and creating conflicts. Since those personality traits hold no appeal for me I decided to write back to Adrian with a request."
Well -- first the funny part -- to see Dweezil Z. write "... personality traits (being obnoxious and creating conflicts) hold no appeal for me" is one of the funniest things I've ever seen...Wow. Do I even have to respond?? With a tour manager like he has (note the several stories cropping up about how she, Mary Jo, EXACTLY fits that description....) Whatever. Check Dr Dot's blog for Mary Jo's horrible, unprofessional and rude conduct at a ZPZ show in Germany. Then -- check the record for such conduct from me.
Anyway - the FACTS are as follows:
Adrian - who I spoke to minutes ago - has this to say, precisely: "..When I received the 2nd email -- After thinking about it, I was incensed - I thought Who is he (Dweezil) to tell me where my crew should be. I need André there at my show - how does he expect him to not be there after as well -- with the gear breakdown, etc."
He also reiterates what he told me right after the SCREAMING and PUSHING that his monitor guy delivered.
Adrian did not tell me, and instructed others not to, so as to not distract or upset me when I had a very busy, difficult job to do at our festival.
FACT: I WAS COMPLETELY UNAWARE OF DWEEZIL's silly, immature, and out-of-place "persona non grata" request.
I will say this-- I regret now that I chose THAT particular part of the stage to check out the show from. In hindsight -- I should have went to the rear part of stage left-- where local crew people were gathered and I would have been lost in a small crowd. Without thinking -- I ran up the stairs of the nearest vantage point from our trailer -- the monitor area. No 'wacky, evil plot' was in place. Just a random place to watch the show.
I mostly place the blame on Dweezil, of course, for such a questionable request. But - Dave Tobias/monitor guy -- real drag, Dave, that you couldn’t have just been an adult and asked me to leave.
More Dweezil Ephemera ("Bold/Quoted text"):
" [Andre'..]..has made many transgressions musical and otherwise regarding Frank over the years"
I'd love to see these listed, Dweezil. Go for it. I dare you. Would some of those transgressions be.......helping to bridge the gap between the early '90s and when you FINALLY discovered you could actually get a gig, by playing your dad's music??? Was it when I helped get a lot of alumni BACK on the road?? Was it all the times I plugged ZFT CD releases to people who had no idea of them ...'cos you guys weren't advertising well?
"It is also clear by his e-mail that he (Adrian Belew) is aware of the existing circumstances that could warrant such a request."
No-- what Adrian said (read it folks) was - he was aware of BITS OF THE RHETORIC. Huge difference. Adrian is all about the music. His music, first and foremost. He appreciates what Frank did for him, but he doesn't wade into the muck, and I never drag him into stuff.
Then the crux of the biscuit:
"...Showtime for Zappa Plays Zappa. Dave Tobias is mixing our in ear monitor mix and is dealing with a keyboard that has lost phantom power. Andre saunters up and tries to make himself at home in Dave's work area. Why would he attempt to do this? Surely he has been told that it would be polite to stay away by his friend and employer Adrian Belew. One must ask, "Why not go enjoy the show from the audience or anywhere else... just be polite and respect a simple request?" Besides, who willingly wants to be in a place where they know they are not welcome?"
So here are a couple things:
-Having worked and played countless festivals -- I know that with a laminate, you can watch from WHEREVER as long as it isn't interfering with crew activity, sightlines, space, or ACTUALLY on the stage. And even that is allowed by some bands. Take a look at ANY festival -- the sidestage is usually crowded with other crew people, techs, friends, press, etc. So that's just dumb.
Again - IF I HAD BEEN told -- MOST OF ALL BY DAVE/MONITOR GUY HIMSELF -- who was all nice and chatty with me just 2 hours earlier during OUR SHOW…then I wouldn't have come up there.
-Dweezil says definitively -- all of a sudden -- that "Surely he (Andre') has been told."
No, Dweezil, get it thru your head. I wasn't aware of your wishes, and I know YOU were explained this fact by several of your staff/crew, who it was made clear to. Some of them apologized for not telling me -- so I know the truth is known in your camp.
"Besides, who willingly wants to be in a place where they know they are not welcome?"
Try again, Pal. The fact is YOU were the ONLY person there who made me feel not welcome. Well, OK, let's include Dave and the next night, Tour Manager Mary Jo. I like how you ignored her getting physical with me the next night. Otherwise - EVERY LAST PERSON on your crew/bandstand was OK with my presence. Deal with it.
Here's where the LIE'S SO BIG kicks in, folks:
"...Dave stops Andre and relays the message that he is not supposed to be there. No touching, pushing or spitting occurred."
Outright, complete, utter LIE. And there are witnesses – but, of course, on this one point....we are descending into he said/she said. Dave was SCREAMING at me, and NO WAY can he blame the in-ear monitors. He spat in my face the whole time as he screamed 2-3 inches from me. When I say spit -- I mean the kind of obnoxious 'spittle' that happens when someone is right in your face, yelling. Dave is outright LYING if he now denies this. If he did nothing wrong ---Why did he apologize, and then apologize AGAIN the next day. We shook hands. There are countless witness to all this, both days.
I mentioned Dave being cool earlier in the day, to explain my shock that he was suddenly pushing, shoving me backwards on the little monitor stage area.
"Apparently Adrian must not have made it clear to him that he was not welcome in the stage area"
Well -- that's.....Completely true !! No one told me - Not Adrian - for reasons listed above -- BUT WORST OF ALL -- NOT YOUR GUITAR TECHS -- NO ONE IN YOUR CREW, NOT DAVE...NO ONE. Dave had every right to say, after we were rapping about amps and laptops, "hey, man --- this kinda sucks, but you can't be around here later on. Dweezil has requested we make sure you NOT be onstage. Don't be around when we start."
I would not have been surprised at all, really. But I would have KNOWN IN ADVANCE!! Really lame that all these ZPZ crew/tech/band people came up and said Hi and didn't tell me.
And -- you won't hear from Any ZPZ or ZFT people...because they are contractually required to NOT TALK ABOUT the ZFT. Can you find anyone who does speak about their time in the tank?? It's a scary, control-freak little world in there.
DWEEZIL: "The show the next night had no incident whatsoever. Andre still temerariously snuck himself to the side of the stage though. It's just his way. He can't help himself."
Funny stuff. "Snuck On"...?? Jeez. Try harder, pal.
Folks -- it was a festival with scores of bands -- I had a laminate on that guaranteed me access to ANY STAGE at ANY TIME throughout the fest. That's how it works in the REAL WORLD, Dweezil. Maybe when you have your OWN band you may learn this. Remember how that band "Z" ended, folks?? Lots of fun stories there about how people are treated by Mr. Dweezil Zappa. Go check the facts on how people were removed from THAT organization. Horrible.
So -- after packing the Belew Band gear in to our van -- I came up to stage left, to hear some of my fave music -- trying to STAY OUT OF DWEEZIL'S SIGHT, and actually honor the requests of the crew guys, all of whom, again, were really cool. I feel sorry for them, that's all. But -- one day, one by one, they will not be working in the Gulag -- and you will only hear MORE stories. Mark my words.
DWEEZIL: Contrary to his report where claims he locked eyes with me at some point during the show, I'm here to tell you that it never took place. He'd know if I locked eyes with him. "What an imagination"
Dweez...! I thought we had a connection bro.... c'mon I KNOW you did...I was feelin' all fuzzy....Didn't you feel something....anything??? I feel so cheap....
Seriously tho' - I'm willing to conclude I was mistaken. But -- It sure looked like he was looking RIGHT AT ME. See -- I don't believe half of what Dweezil says, based on the last couple years of watching how ZFT deals with agreed-upon money deals, DVD payments and the like.. Anyway --Like I said -- I tried to stay far out of his view - I was back FURTHER than the percussion and drum riser line, way back on stage left. Doesn't this guy realize if I were TRYING TO PISS HIM OFF I would have insisted on standing on stage right near his tech so he could see me?? Or going out to the front row or photo pit?? All places I was legally allowed to be?? Crazy fucking delusions of grandeur.
Finallly -- addressing his personal paragraph to me ( How neat!! He cares!! Sigh.....!!)
- I Don't need your "respect", pal. Never did, Never will. Not yours, or anyone in the ZFT. And neither does a fan favorite like Ike Willis, who is appalled at your behavior in all this. He can't wait to get on the road again -- despite your mom going after him every time he tries to play a gig. (Everyone -- please check the facts about the HORRIBLE crap Gail pulled on URR when they tried to tour around December 21 2007. Embarrassing. My fave part was GAIL --GOING AFTER THE BEER COMPANY that does the Zappa beer -- 'cos the owner dared donate some cases of beer to the shows!!! How petty and psycho is THAT?? Wanna deny that, Dweezil?? Wanna explain it?? A matter of Public record. Folks -- just check the history. I sleep at night 'cos volumes of examples of fucked up behavior back up my side of this sordid mess, which I can't wait to be away from, really. But I don't like lies being published.
-I don't insult Frank's "family". The close family members of Frank's that I speak with regularly say they have not seen or spoken or heard from you, Dweezil, or any of you....for AGES, since we are spilling ugly personal info. I wonder why that is. Any thoughts?? I have some, and many facts to go with those thoughts. But -- those are for a later book, believe me. Interesting, huh, folks.
- My band, and ALL the other bands Gail wastes Frank’s hard-earned money suing, stays within the LAW when playing Zappa music. Ask yourself -- could we all do it YEAR AFTER YEAR, if they didn't?? More Crazy talk. And -- a funny aside -- ZPZ does the "Owner of a lonely heart" vamp for the solo in "Bamboozled" . OK fine. Are you guys paying Royalties to YES for each performance?? Every night?? Did the festival have publisher paperwork done -indicating that you were doing a cover?? What was the COMPOSER'S INTENT for that YES song??? Hmmmm. See how silly and baseless such a line of attack is? And why it GOES NOWHERE???
- I don’t "fawn" over alumni --- But --I truly love the ones I have been blessed to become good friends with. It's called LOYALTY, Dweezil - LOOK IT UP.
See- I UNDERSTAND that the fans LOVE the alumni. The fans-- unlike you, it seems -- understand that your dad hired VERY SPECIAL PEOPLE -- who not only had talent,..... but that indescribable certain something else. So many of them brought PERSONALITY to the works..... and THAT's what sets us apart. I am unafraid to celebrate the ALUMNI, and unashamed in gushing over them, that's right. I love 'em !!! They are what MAKES the sound of so many Zappa classics, and that's why he brought certain people back so many times.... It' cool - you just have a different perspective. It's OK.
Where's the LEAD SINGER from the first tour?? Why didn't he come back??? What happened there? Maybe if you guys start making money again -- you can offer him enough to come back, I dunno. But -- funny how you can’t get ANYONE who will really sell more tickets. I LOVE Ray White -- another guy who played several times with Project/Object.......before your band. But -- with all due respect -- he doesn't sell you more tickets, does he?? Not insulting Ray at all -- but fans of him are ALREADY COMING TO YOUR SHOW. And I will continue to talk to more alumni and collect horrific stories about how you and Gail have treated them. And you know that's true. I bet you just convince yourself THEY'RE ALL CRAZY.
Basically --your show is JUST ANOTHER ZAPPA COVER BAND. One with a bigger budget than most, but......to me a band like The Grandmothers is FAR more exciting....'cos the HISTORY is there. just my opinion. They still remember when you came to see them -- stood with your arms folded at HARD ROCK CAFE in LA, and were too rude to come back and say hi. To guys whom HELPED MAKE YER DAD'S EARLY CAREER. But -- that would require respect. Remember that night??
Dr Dot has re-posted your great quote about alumni. Remember that? The problem is - while you say you have no use for them - YOU NEED THEM if you EVER hope to turn around the horrible ticket-sales slide you are experiencing. Good luck!!
-I don't need attention. My life is plenty busy and fine, thank you. I DO have an unhealthy obsession with getting the facts into the public record. NONE of this would have happened if your scared crew had simply told me to stay away. So -- I lay the blame mostly there. BTW - I was offered MUCH support from a lot of your crew after the lame-ass attack. Good luck with them. They know the deal.
PS -- the most obnoxious part of this was Dweezil's inappropriate choice to post Adrian Belew's PRIVATE EMAIL without consent. Lame. Good thing that wasn't the OTHER way around -- the incredibly litigious "Zappas" would probably sue.
To wit -- here is what Gail (at least in 2005) adds to her emails. It's standard boilerplate privacy request, but, like most protocol, the "Zappa" "Family" feels they are above such nonsense as treating people the way THEY want to be treated.
gz
copyright 2005 Zappa Family Trust.
CONFIDENTIALITY NOTICE: This e-mail transmission, e-mail address and any documents, files or previous e-mail messages attached to it may contain confidential information that is legally privileged. If you are not the intended recipient, or a person responsible for delivering it to the intended recipient, you are hereby notified that any disclosure, copying, distribution or use of any of the information contained in or attached to this transmission is STRICTLY PROHIBITED. If you have received this transmission in error, please immediately notify the sender. Please destroy the original transmission and its attachments without reading or saving in any manner. Thank you.
So - in closing -- have a Good Day, all. I will continue to try to do my job well, and will continue to tour with various bands I play in -- including PROJECT/OBJECT -- Playing the great music of FRANK ZAPPA...and the (OFTEN SUED-BY-GAIL Mothers) anyway, anytime and whenever I choose, and with whom I choose. I will continue to stay fully within the law in doing so -- and I will continue to enjoy meeting great, fellow FRANK ZAPPA FANS.
Hmm. maybe we call our next tour ZAPPA FANS PLAY ZAPPA?? What do you think? Any votes out there?? or PERSONA NON GRATA?? I know it will be great fun -- and all are welcome. Stand by very very soon for dates and special alumni participation.
More Zappa drama
Okay, it seems that Dweezil himself has responded to Andre's blog of the other day.
I only know this because their are some fans of Frank that for some inconceivable reason have shown the same allegiance to the surviving Zappa family as they do to Frank.
Isn't that somewhat hypocritical?
One of Frank's dying requests was to "tell people to play my music," yet Gail and co. have gone out of their way to prevent anyone not named Zappa from doing just that! I've met Andre, and he is one of the nicest guys I've ever met. On the other hand, I've had dealings with Gail, and she has been nothing but an arrogant, condescending bitch in my experience, and the "tone" in Dweezil's blog (below) indicates, as I have been saying for several years now, that he is his mother's son.
Even on a documentary DVD (the Apostrophe/Overnight Sensation DVD I believe), Moon makes comments that seem to emote a certain disdain for Frank (probably because he fucked groupies...so what?). Funny that I never heard those comments while he was still alive. In my opinion, that family has turned against Frank and everything he stood for, and now only markets (and fervently tries to protect) his product for no other reason than to keep a roof over their head and food in their mouths. It has nothing to do with the music.
Sure, Dweezil has worked very hard to faithfully recreate Frank's music, but that's because it gives him a built in audience. He couldn't make a living as Dweezil Zappa, or Z, or AZDZ, or whatever. He's a great musician, but he's not Frank.
Unfortunately, my desire for Frank's music will keep me buying FZ output, but I will never patronize a ZPZ show again (I saw them 4 or 5 times before fully realizing the evil behind the family).
In my opinion, some of the words and phrases Dweezil uses in his blog tells me that Andre's blog was quite accurate. Also, it was totally unprofessional of Dweezil to publish those private emails without getting Belew's permission first. This could have waited another day or so. It just further shows the Zappa family's elitist attitude.
So to those "fans" of the Zappa family, as one (Frank) Zappa fan to another, I implore you to rethink where your allegiance lies, because Gail's and Dweezil's does not lie with Frank, but only with themselves.
And I can assure you that it most certainly does not lie with you.
Anyway, here's Dweezil's blog, with some comments from me in brackets:
-------------
Tuesday, July 08, 2008
Soap Opera: AKA Lengthy Blog about stupid stuff...
Hello Friends,
I recently read an amusing tale [condascension right out of the gate] about an incident that supposedly took place stage side during one of our shows. The author of this highly exaggerated tale is André Cholmondeley. He would like you to believe he was physically attacked. More on that later...
Perhaps it is his dream come true that I would take a moment of my time to write a few sentences that publicly address him. It's a one shot deal - You're welcome.
[more elitist bullshit...what an asshole DZ is]
Here you go...
Dateline - Los Angeles California:
The following are actual private e-mails between me and Adrian Belew. (I apologize to Adrian in advance if this causes him any aggravation.) [apologize, but do it anyway?]
I would not normally be inclined to use private information in this way [I've no doubt that the Zappa lawyers would be involved if the shoe was on the other foot] but it perfectly illustrates the details of the "non event" that follows.
Dweezil Zappa writes to Adrian Belew - (e-mail addresses have been removed. [what a sport])
On June 20, 2008, at 1:42 am, dweezil wrote:
Hello Adrian,
I hope this e-mail finds you doing well. I have noticed that you will be playing before us at 2 upcoming shows. I would like to extend an invitation to you to sit in with us if you like during our set. We are playing "Tiny Lites" and "Flakes" either of those 2 songs could make for a good surprise cameo.
Please let me know if you would be interested.
Regards, DZ
On June 30, 2008 12:04 pm, Adrian wrote:
dweezil,
please excuse my late reply.
I've always had a secret desire to show up for a concert with no guitar and no cases full of gear, just a harmonica in my back pocket.
so...
my idea of a cool cameo would be to come out in the middle of flakes harmonica in hand, sing the sad bob dylan part, and exit stage right, hopefully to applause.
what do you think?
cheers,
adrian
ps: I greatly admire and respect what you are doing for your father's legacy.
no one deserves it more than he and I've heard you do it exceptionally well.
After this first electronic exchange I was informed that Adrian was employing André Cholmondeley as his guitar tech. André's propensity for spreading misinformation and negativity has earned him a reputation. A reputation for being obnoxious and creating conflicts. [translation...Andre plays Frank's music and GZ and DZ don't like it]
Since those personality traits hold no appeal for me I decided to write back to Adrian with a request.
On June 30, 2008, at 11:43 pm, dweezil wrote:
Hello Adrian,
Nice to hear from you. Your idea sounds fun and easy.
I think people will appreciate it. They may even decide to clap a little bit... It happens sometimes.
We usually play Flakes midway through the show. I can say, "Take it away Bob or Adrian" whichever you prefer and you can enter to Ray's microphone.
Just let us know day of show if you're up for it and we'll do it.
On a different topic - perhaps an awkward one - I have been informed that you are working with Andre from Project Object. He is likely your friend as well as your employee so you may not enjoy what is to follow.
Whether you are aware of it or not he has instigated a lot of unpleasant things on our website forum and has made many transgressions musical and otherwise regarding Frank over the years. It would be my preference that he politely remove himself from my view before, during and after our set.
For me
the phrase persona non grata is applicable in this case. [so far, this supports Andre's blog]
I can understand if you feel awkward relaying this and I can even understand if you choose not to accept my invitation to join us on stage as a result.
The fact of the matter is he knows what he has done and it should come as no surprise that I wouldn't appreciate him being anywhere near me now or in the future. [this is an adult?]
I apologize for having to bring this to your attention. [do ya?!]
I thank both of you for your consideration and cooperation on this matter in advance.
Regards, DZ
A politely worded simple request. Here's Adrian's response.
[Take note of this line, it is a set up for diatribe]
On July 1, 2008, at 9:05 am, Adrian wrote:
dweezil,
please introduce me any way you like.
what key is flakes?
I'll bring the appropriate harmonica.
it's true andre works for me now.
I will make certain he is persona non grata as best I can.
as I told gail, I try always to honor frank, his memory, and his music. he remains a towering inspiration to me. I loved him too, and I could never repay him for what he did for me.
I take responsibility for my own actions, never for the actions of others.
I've have heard bits of the rhetoric surrounding project object (after the fact) but remain apart from it all. [note that he said the rhetoric "surrounding"...he didn't say where it came from...brilliant on Adrian's part to stay impartial]
should you or your family have any problem with anything I might ever do, please let me know.
see you onstage.
cheers,
adrian
That was July 1st. Whether or not Adrian decided to convey my request to Andre I do not know for sure. But it is safe to assume by his e-mail that he had every intention of doing so.
[my guess...this childishness was not at the top of his to do list, and it slipped his mind because he figured there wouldn't be a problem and Andre wouldn't be close enough to DZ to matter]
It is also clear by his e-mail that he is aware of the existing circumstances that could warrant such a request. [he didn't say that exactly]
Dateline - Ottawa July 5th:
Showtime for Zappa Plays Zappa. Dave Tobias is mixing our in ear monitor mix and is dealing with a keyboard that has lost phantom power. Andre saunters up and tries to make himself at home in Dave's work area. [knowing Andre, he was probably trying to offer help] Why would he attempt to do this? Surely he has been told that it would be polite to stay away by his friend and employer Adrian Belew. [notice how he just made Adrian look stupid if he did indeed forget to inform Andre of DZ's wishes?] One must ask, "Why not go enjoy the show from the audience or anywhere else... just be polite and respect a simple request?" Besides, who willingly wants to be in a place where they know they are not welcome?
Dave stops Andre and relays the message that he is not supposed to be there. [so DZ made it a point to tell his whole crew about Andre? More support of Andre's blog] No touching, pushing or spitting occurred. Loud talking happened, that's it. [So DZ watched the entire episode while he was performing a concert? Right.] There was a concert going on and Dave had in ear monitors in his ears. At no point was anyone instructed to be rude to Andre in fact just the opposite is true. Andre even mentioned in his own blog about how nice everyone was earlier in the day. He even mentioned Dave Tobias. [And...?] Everyone believed that Andre knew about the request and was willing to co-operate and watch the show from a different vantage point later on.
Apparently Adrian must not have made it clear to him that he was not welcome in the stage area. [Sounds like the Zappas just made another enemy...collateral damage some would call it] Or maybe he did and Andre decided to ignore the request? In any case, Dave Tobias was a little surprised to see Andre in his work area given all of the back story. He most likely assumed Andre was informed of the request to politely be elsewhere and that he was just trying to be obnoxious again - which is why I originally requested he politely remove himself in the first place.
That's end of the story. Probable miscommunication from Employer to employee. [Blaming Adrian once again] End result stupid drama.
The show the next night had no incident whatsoever. Andre still temerariously snuck himself to the side of the stage though. It's just his way. He can't help himself.
Contrary to his report where claims he locked eyes with me at some point during the show, I'm here to tell you that it never took place. He'd know if I locked eyes with him.
"What an imagination"
Here's a paragraph dedicated solely to Andre. To me, if you really have respect for my Father and his music you have an asinine way of showing it. By repeatedly insulting Frank's family and ignoring copyright laws related to his music you have proven the exact opposite of respect. [What copyright laws? A band can play anything they want live, as long as they do not record and sell it...at least that's how I understand it] Your obsequious fawning [um, don't obsequious and fawning mean the exact same thing? A Thesaurus can be dangerous Dweezil] over "alumni" and your precious associations you have with them are embarrassingly shallow. Your attempts to draw attention to yourself as some sort of soldier fighting the good fight for Frank's music reveal what you really are - a depressing epigone starving for recognition. [LOL! "epigone"? Do you know what that word means Dweezil? That's precisely what you are with ZPZ!]
One last thing, for me to care at all about what you say or do would mean that I have some sort of respect for you or your opinion.
Sadly, I have neither. [Yet you took the time to write this lengthy blog...hmm...curious, isn't it?]
End of 15 minutes...
Regards, DZ
-------------
So there you have it.
As far as I'm concerned, this is nothing more than a desperate attempt to "make good" by Dweezil, who is well aware that most FZ fans have become alienated from the ZFT, and are ashamed and embarassed over what Frank's legacy has become. Unfortunately, it only makes the Zappa arrogance more prevalent.
I only know this because their are some fans of Frank that for some inconceivable reason have shown the same allegiance to the surviving Zappa family as they do to Frank.
Isn't that somewhat hypocritical?
One of Frank's dying requests was to "tell people to play my music," yet Gail and co. have gone out of their way to prevent anyone not named Zappa from doing just that! I've met Andre, and he is one of the nicest guys I've ever met. On the other hand, I've had dealings with Gail, and she has been nothing but an arrogant, condescending bitch in my experience, and the "tone" in Dweezil's blog (below) indicates, as I have been saying for several years now, that he is his mother's son.
Even on a documentary DVD (the Apostrophe/Overnight Sensation DVD I believe), Moon makes comments that seem to emote a certain disdain for Frank (probably because he fucked groupies...so what?). Funny that I never heard those comments while he was still alive. In my opinion, that family has turned against Frank and everything he stood for, and now only markets (and fervently tries to protect) his product for no other reason than to keep a roof over their head and food in their mouths. It has nothing to do with the music.
Sure, Dweezil has worked very hard to faithfully recreate Frank's music, but that's because it gives him a built in audience. He couldn't make a living as Dweezil Zappa, or Z, or AZDZ, or whatever. He's a great musician, but he's not Frank.
Unfortunately, my desire for Frank's music will keep me buying FZ output, but I will never patronize a ZPZ show again (I saw them 4 or 5 times before fully realizing the evil behind the family).
In my opinion, some of the words and phrases Dweezil uses in his blog tells me that Andre's blog was quite accurate. Also, it was totally unprofessional of Dweezil to publish those private emails without getting Belew's permission first. This could have waited another day or so. It just further shows the Zappa family's elitist attitude.
So to those "fans" of the Zappa family, as one (Frank) Zappa fan to another, I implore you to rethink where your allegiance lies, because Gail's and Dweezil's does not lie with Frank, but only with themselves.
And I can assure you that it most certainly does not lie with you.
Anyway, here's Dweezil's blog, with some comments from me in brackets:
-------------
Tuesday, July 08, 2008
Soap Opera: AKA Lengthy Blog about stupid stuff...
Hello Friends,
I recently read an amusing tale [condascension right out of the gate] about an incident that supposedly took place stage side during one of our shows. The author of this highly exaggerated tale is André Cholmondeley. He would like you to believe he was physically attacked. More on that later...
Perhaps it is his dream come true that I would take a moment of my time to write a few sentences that publicly address him. It's a one shot deal - You're welcome.
[more elitist bullshit...what an asshole DZ is]
Here you go...
Dateline - Los Angeles California:
The following are actual private e-mails between me and Adrian Belew. (I apologize to Adrian in advance if this causes him any aggravation.) [apologize, but do it anyway?]
I would not normally be inclined to use private information in this way [I've no doubt that the Zappa lawyers would be involved if the shoe was on the other foot] but it perfectly illustrates the details of the "non event" that follows.
Dweezil Zappa writes to Adrian Belew - (e-mail addresses have been removed. [what a sport])
On June 20, 2008, at 1:42 am, dweezil wrote:
Hello Adrian,
I hope this e-mail finds you doing well. I have noticed that you will be playing before us at 2 upcoming shows. I would like to extend an invitation to you to sit in with us if you like during our set. We are playing "Tiny Lites" and "Flakes" either of those 2 songs could make for a good surprise cameo.
Please let me know if you would be interested.
Regards, DZ
On June 30, 2008 12:04 pm, Adrian wrote:
dweezil,
please excuse my late reply.
I've always had a secret desire to show up for a concert with no guitar and no cases full of gear, just a harmonica in my back pocket.
so...
my idea of a cool cameo would be to come out in the middle of flakes harmonica in hand, sing the sad bob dylan part, and exit stage right, hopefully to applause.
what do you think?
cheers,
adrian
ps: I greatly admire and respect what you are doing for your father's legacy.
no one deserves it more than he and I've heard you do it exceptionally well.
After this first electronic exchange I was informed that Adrian was employing André Cholmondeley as his guitar tech. André's propensity for spreading misinformation and negativity has earned him a reputation. A reputation for being obnoxious and creating conflicts. [translation...Andre plays Frank's music and GZ and DZ don't like it]
Since those personality traits hold no appeal for me I decided to write back to Adrian with a request.
On June 30, 2008, at 11:43 pm, dweezil wrote:
Hello Adrian,
Nice to hear from you. Your idea sounds fun and easy.
I think people will appreciate it. They may even decide to clap a little bit... It happens sometimes.
We usually play Flakes midway through the show. I can say, "Take it away Bob or Adrian" whichever you prefer and you can enter to Ray's microphone.
Just let us know day of show if you're up for it and we'll do it.
On a different topic - perhaps an awkward one - I have been informed that you are working with Andre from Project Object. He is likely your friend as well as your employee so you may not enjoy what is to follow.
Whether you are aware of it or not he has instigated a lot of unpleasant things on our website forum and has made many transgressions musical and otherwise regarding Frank over the years. It would be my preference that he politely remove himself from my view before, during and after our set.
For me
the phrase persona non grata is applicable in this case. [so far, this supports Andre's blog]
I can understand if you feel awkward relaying this and I can even understand if you choose not to accept my invitation to join us on stage as a result.
The fact of the matter is he knows what he has done and it should come as no surprise that I wouldn't appreciate him being anywhere near me now or in the future. [this is an adult?]
I apologize for having to bring this to your attention. [do ya?!]
I thank both of you for your consideration and cooperation on this matter in advance.
Regards, DZ
A politely worded simple request. Here's Adrian's response.
[Take note of this line, it is a set up for diatribe]
On July 1, 2008, at 9:05 am, Adrian wrote:
dweezil,
please introduce me any way you like.
what key is flakes?
I'll bring the appropriate harmonica.
it's true andre works for me now.
I will make certain he is persona non grata as best I can.
as I told gail, I try always to honor frank, his memory, and his music. he remains a towering inspiration to me. I loved him too, and I could never repay him for what he did for me.
I take responsibility for my own actions, never for the actions of others.
I've have heard bits of the rhetoric surrounding project object (after the fact) but remain apart from it all. [note that he said the rhetoric "surrounding"...he didn't say where it came from...brilliant on Adrian's part to stay impartial]
should you or your family have any problem with anything I might ever do, please let me know.
see you onstage.
cheers,
adrian
That was July 1st. Whether or not Adrian decided to convey my request to Andre I do not know for sure. But it is safe to assume by his e-mail that he had every intention of doing so.
[my guess...this childishness was not at the top of his to do list, and it slipped his mind because he figured there wouldn't be a problem and Andre wouldn't be close enough to DZ to matter]
It is also clear by his e-mail that he is aware of the existing circumstances that could warrant such a request. [he didn't say that exactly]
Dateline - Ottawa July 5th:
Showtime for Zappa Plays Zappa. Dave Tobias is mixing our in ear monitor mix and is dealing with a keyboard that has lost phantom power. Andre saunters up and tries to make himself at home in Dave's work area. [knowing Andre, he was probably trying to offer help] Why would he attempt to do this? Surely he has been told that it would be polite to stay away by his friend and employer Adrian Belew. [notice how he just made Adrian look stupid if he did indeed forget to inform Andre of DZ's wishes?] One must ask, "Why not go enjoy the show from the audience or anywhere else... just be polite and respect a simple request?" Besides, who willingly wants to be in a place where they know they are not welcome?
Dave stops Andre and relays the message that he is not supposed to be there. [so DZ made it a point to tell his whole crew about Andre? More support of Andre's blog] No touching, pushing or spitting occurred. Loud talking happened, that's it. [So DZ watched the entire episode while he was performing a concert? Right.] There was a concert going on and Dave had in ear monitors in his ears. At no point was anyone instructed to be rude to Andre in fact just the opposite is true. Andre even mentioned in his own blog about how nice everyone was earlier in the day. He even mentioned Dave Tobias. [And...?] Everyone believed that Andre knew about the request and was willing to co-operate and watch the show from a different vantage point later on.
Apparently Adrian must not have made it clear to him that he was not welcome in the stage area. [Sounds like the Zappas just made another enemy...collateral damage some would call it] Or maybe he did and Andre decided to ignore the request? In any case, Dave Tobias was a little surprised to see Andre in his work area given all of the back story. He most likely assumed Andre was informed of the request to politely be elsewhere and that he was just trying to be obnoxious again - which is why I originally requested he politely remove himself in the first place.
That's end of the story. Probable miscommunication from Employer to employee. [Blaming Adrian once again] End result stupid drama.
The show the next night had no incident whatsoever. Andre still temerariously snuck himself to the side of the stage though. It's just his way. He can't help himself.
Contrary to his report where claims he locked eyes with me at some point during the show, I'm here to tell you that it never took place. He'd know if I locked eyes with him.
"What an imagination"
Here's a paragraph dedicated solely to Andre. To me, if you really have respect for my Father and his music you have an asinine way of showing it. By repeatedly insulting Frank's family and ignoring copyright laws related to his music you have proven the exact opposite of respect. [What copyright laws? A band can play anything they want live, as long as they do not record and sell it...at least that's how I understand it] Your obsequious fawning [um, don't obsequious and fawning mean the exact same thing? A Thesaurus can be dangerous Dweezil] over "alumni" and your precious associations you have with them are embarrassingly shallow. Your attempts to draw attention to yourself as some sort of soldier fighting the good fight for Frank's music reveal what you really are - a depressing epigone starving for recognition. [LOL! "epigone"? Do you know what that word means Dweezil? That's precisely what you are with ZPZ!]
One last thing, for me to care at all about what you say or do would mean that I have some sort of respect for you or your opinion.
Sadly, I have neither. [Yet you took the time to write this lengthy blog...hmm...curious, isn't it?]
End of 15 minutes...
Regards, DZ
-------------
So there you have it.
As far as I'm concerned, this is nothing more than a desperate attempt to "make good" by Dweezil, who is well aware that most FZ fans have become alienated from the ZFT, and are ashamed and embarassed over what Frank's legacy has become. Unfortunately, it only makes the Zappa arrogance more prevalent.
Monday, July 07, 2008
FZ was a Saint compared to his family!
Here's a letter from Andre' Cholmondeley, who is the leader and founder of one of the original and most recognizable Zappa cover bands, Project/Object. The story you are about to read is disgustingly and horrifyingly true!
I've always said that Dweezil is his mother's son. Here's proof.
This is why I will never patronize a Zappa Plays Zappa show ever again (unless Frank himself comes back)!
__________________
hello Friends....
Sorry -- this became kind of a long letter, but it helped me exorcise some real negative shit. It took me two hours.
I was working for ADRIAN BELEW, opening for ZPZ at Ottawa Bluesfest, Canada (Sat 5 July 2008)
Stuff turned REAL ugly.....
Basically---- one of Dweezil Zappa's guys, under his direct orders - threatened, pushed and physically attacked me.... !
For the horrible act of walking onto the stage to watch and enjoy the show. Really.
I should consider legal action actually..it was ...real ugly. real scary. I was shaking like a leaf... They have sued me many times, tried to at least. Should I return the favor? I ask your advice -- should I seek legal action?? I have countless witnesses, I was at work in a professional capacity. Canada law on this is actually quite bad news for someone who would want to work here again....I could cripple the Zappa family financially, real bad news since they are losing their shirts trying to do these tours, pay cuts, playing smaller and smaller venues etc isn't helping from what I hear.
Their Monitor guy, Dave, almost shoved me off the stage, a 10 to 15ft drop, so scary. Scenes of "broken leg in London Orchestra pit" may dance through your head......
These people actually had a MEETING on THE BUS...Tour Manager, Dweezil, crew, etc. Wrap your mind around the level off dysfunction -- to have a fucking MEETING about a guy you hate --- a guy who has never really done anything but piss you off for some reason. Imagine being so unprofessional -- and self-important -- to think that a HUGE festival, should do your bidding and ban people from public areas. I know - Unreal. - But -- par for the course in Post-Mortem Zappa-land. No surprise. Bullying at every turn.
After a meeting on the bus --Dweezil then demanded from the Festival stage manager (ONE HOUR before their show!!) that I would NOT BE SEEN by him (Dweezil).....!! he asked that he NOT SEE ME AT ALL, EVER, throughout the night. I can't wait to see when he delivers to the shocked people at TODAY's festival the same pompous request.
The incredible, pro stage mgr guy, Wiggy, from the Ottawa Bluesfest, ensured cooler heads prevailed all night. I hope we work together again.
Ok, Now, this is a GIANT festival with about 230 bands...11 days.... we are on a fucking SIDE STAGE -- and Dweezil DEMANDS of the festival staff- ONE HOUR BEFORE HIS SHOW - to KEEP ME OFF THE STAGE (even the side stage, monitor area, backstage, etc!!) and make sure he (DWEEZIL) NEVER SEE ME!!!! Can you even wrap your mind around that??? he wanted to CONTROL the attendance - at a public event he is getting paid to be at - of someone he is soooo pissed at. Unreal.
The (very cool) stage manager , when I asked him -- said " Dude - no, I have NO PROBLEM with you going into the AUDIENCE and watching them, front row, whatever. I just have to respect these guys and ask you to stay off the stage.
I wanna run a smooth show - I am here for 11 days, I have no time for issues"
As you all know-- I'm a fucking PRO, and I of course honored the request -- I stayed off stage. But this is after FINDING OUT for the first time....with the prick monitor guy SCREAMING IN MY FACE AT THE TOP OF HIS LUNGS -- SPITTING IN MY GODDAMN FACE...and pushing me backwards to the edge.... it was terrifying and I've seen a lot of dark shit in this life, trust me on that.
It was unreal. Surreal. The best part is -- before ZPZ played - BELEW played--- and I had met this very same guy - Dave - monitor guy -- and he was COOL!! We were rapping, talking gear, he showed me a pic on his computer of his guitar-rig..which featured the same amp that Adrian uses (Johnson JM 150), like good nerds we chuckled about that as well as his computer gadget his laptop sat on...some device with 2 fans to cool it off, blah blah blah. We talked about him being new on the crew, after I said "Napoleon says hi" --"oh no -- that was the old guy, I am new since last year, etc etc"....We talked all kinds of stuff -- later he claimed "Well I thought you were just acting like nothing was going on". Wow.
So-- SAME GUY turn into a RAGING PSYCHO 2 hrs later!!!! He literally almost pushed me off the stage and down some steps. It was scary shit. I can't emphazise that enough. I am shaking still, almost 12 hrs later as i type this after 4 hrs sleep.
I'm not easily shaken, you know that. But I drive 5 hrs today -- to another fest where ZPZ again plays right after us --- and I dunno how it will turn out.
I went to the monitor guy after the show and said "Dude, do you have something to say to me"??
He copped TONS of attitude, but I actually got him to begrudgingly apologize, I accepted it, kinda, since he claimed he had been TOLD by up to 6 people that I was FULLY INFORMED of my "persona non grata" status. Well- I wasn't informed.
The FIRST TIME I knew about ANY of this crap was when he violently accosted me!!
I think I will call the next P/O tour by that title. --- PERSONA NON GRATA.
how do you like it??
I feel extra let down that I wasn't warned, wasn't told. Joe Travers, the bass player Pete and other crew/band members said hi, some shook my hand, we rapped. I - as I always try to -- will give the benefit of the doubt that each person thought "Oh - I thought Someone ELSE told him". I feel sorry for these people -- including my hero Thomas Nordegg -- thee greatest guitar tech in the Solar System, who I had a lovely time hanging with all afternoon before I loaded in.
I feel sorry that they are all caught between the horrible pressure of being told to DISS ME as part of their job....and knowing me for years and knowing who and what I really am. Terrible - to put people in that position. But that's how tyrants operate. Pitting people against each other. It's worked for centuries. Check the history books.
OK. whatever. But does the 'adult' monitor guy need to have dealt with it that way??? Screaming at the TOP of his lungs, spitting his filthy fucking spit in my face, pushing me backwards in shock?? Later he even justified the screaming (!!) --- "hey my in-ear monitors were on". Yeah right. Any pro engineer knows how loud they are talking!! Ridiculous. Dude has major issues and I will make sure I deal with him today with lost of witnesses around.
Thank You,
André
Now -- I'm not gloating here but.......I'm The guy who, Unlike Dweezil Zappa, has shared the stage with more Zappa alumni and family than almost ANYONE BUT FRANK ZAPPA ..people like Ike Willis, Napoleon Murphy Brock, Candy Zappa, Ed Mann, Roy Estrada, Mike Keneally, Adrian Belew, Denny Walley, Don Preston, Bunk Gardner, Bob Harris, Thana Harris, Jimmy Carl Black, Billy Mundi, Ray White, Al Malkin, Arthur Barrow, Bruce Bickford and more.
Actually only someone like the amazing Ed Mann, Ike Willis, Scott Thunes or Chad Wackerman has been onstage with more people -- due to their LONG tenure in the band (over 21 years for Ed and about 7-10 years for Chad/Scott/Ike)
I'm not gloating. It's called PRIDE. I am proud I have dedicated a part of my musical life, just one part -- to paying back to a man who changed my life - Frank Zappa.
An amazing, genius man I was lucky enough to shake hands with several times, look in his eyes from 3 feet away, tell him a joke or two, walk up to at a concert and give a funny sign to (feb 1988 , wash DC) that made him laugh his ass off (cherished memory!! Making Zappa laugh!!! C'mon - can it get better??!!!)
A man who asked on his deathbed for people, musicians or not - to PLAY HIS MUSIC!! Frank asked for that -- I have always tried to honor that request. I am PROUD of engineering a SOLD OUT show at Irving Plaza, Halloween 2001, raising TEN GRAND for Prostate Cancer research (a show that owes much credit to my great management team at CEG Music in NYC and the great Matt Ross, now CEO of Paul Green School of Rock). I am PROUD of getting many , many alumni out of RETIREMENT and back onstage. I am PROUD of paying my way, losing money to go all the way to my beloved Germany, to play music and hang out with THOUSANDS of Freaks...at the Zappanale festival -now being SUED by Gail Zappa as well.
I'm proud of my work in this area. No one can or will ever take that away from me. Frank Zappa changed my WORLD at age 16.....and I am very very proud to have had the chance to meet most of his players, to call them all my friends to this day. I am proud to have his original family members as cherished friends. I say this not to impress anyone but to add perspective. No one reading this is unaware of the dark energy that has emanated from Zappa central in recent years. It's a thing of real concern.
PS: This is the core of what pisses them off. They have BURNT EVERY BRIDGE with most of the Zappa alumni and family -- and they hate themselves for it. They know they've BLOWN IT and insulted Frank's Legacy. They know they can NEVER turn back -- can never celebrate his deep kinship with so, so many people.
They know that Musicians they have sued, dissed in the press, not paid, ignored as they stood in the audience at ZPZ shows...won't take that crap and will not ever work with them. I have kept silent about THAT part of things for YEARS...but being physically threatened by Dweezil's crew CROSSES A LINE that I can never go back over. Sorry, Dweezil. You should have thought about your actions. Right now they are in court with the ZAPPANALE...they have sent cease and desist letters to Bogus Pomp and other bands, they keep going after the Grandmothers...suing TV stations....it doesn't end with me -- and that's how I sleep at night -- IT'S NOT JUST ME!!!
As peaceful as a person as I am----I cannot sit by with this crap - It's been OVER TEN YEARS of attacks, insulting emails from Gail, LAWSUIT THREATS, threats to some alumni who play with us, falsified, libelous letters from ASCAP/, and watching the SAME happen to many friends and colleagues WORLDWIDE. It's scary, downright scary. The "Zappa" "Family" feels it can just go around suing, attacking, and trying to squash the truth -- but reality and truth have a way of bubbling up.
Why has EVERY SINGLE LAWSUIT filed against me by Gail Zappa been thrown out ?? Why did i win in NY State Court AGAINST Gail Zappa and ASCAP? because their claims are baseless. My band stays within acceptable US and international law where applicable -- performing the music of a composer in certified venues. End of Story.
I write this to all of you -- in case some dark shit goes down today (Sun, 6 July 2008) at the 2nd festival, in Quebec City QC. I will go there - do my job -- and stay out of the way. I haven't decided yet if I will watch the music --some of my favorite music ever -- from the audience, up front, as I deserve. But we'll see.
My boss--my amazing friend actually -- Mr. Adrian Belew -- has not decided if he will perform on one song today with them. I can;'t speak for him but he is upset -- and feels caught between some painful stuff. Again-- the method of pitting people against each other is in play.
I Urged Adrian to do whatever he feels is right -- and to forget about this (I know- impossible). But he knows that I will not at all be upset if he gets onstage with them, well, with Dweezil. You know why?? Because from BEGINNING TO END -- I have always been about one goddamned thing - FRANK and HIS MUSIC...and about YOU -- the fans and alumni! that's all!!! Every last one of you on here, many who have celebrated Frank's amazing music with me and my band....KNOW THAT. And I thank you again -- and hope we meet again in music.
I also thank, deeply, a blood relative of Frank's who will remain nameless -- who related to me 2 days ago, before all this - in email an old saying:
"They .....will get you sick before you get them well.
"
(this person added the words........)
"I urge you to protect your beautiful mind from the psychic poison, of which there is a never ending supply.
"
Great stuff. This made my day. I am trying to do that, my friend. I am trying real hard. You got me through yesterday in many ways and your words will echo all day as I deal with another encounter with this dysfunctional camp.
This letter is public domain. Spread It to others if you feel the need. Post it on forums. Delete it if you don't care. But ponder it as another chapter in this crazy, post-mortem, mis-handling of Frank's legacy. Horrible.
I will get it on my blog soon at http://robotvomit. blogspot. com/
PS -Believe it or not --- when I heard about us opening for ZPZ -- after getting over the shock and apprehension, I decided that if I saw Dweezil, I would walk up to him and say "hey man... I know there's lots of water under the bridge..but it's GREAT what you have done and are doing...and just fantastic how you have celebrated your dad's music - Thank You.
"
Ike Willis, Napoleon Murphy Brock and others are my witness on that, I told them of my intent over a month ago. I was taking the high road -- I greeted every single one of Dweezil's crew with honor and respect -- I genuinely loved meeting the ones I didn't know -- I stayed and watched their show (missing most of Steely Dan, ouch!!) - even after all the crap. I watched, invisibly, from the backstage grounds near stage left. I kept myself unseen. I honored the festival stage manager's requests - great guy. I'm about the music and I want you to know that always. But this crap can't be allowed.
Help me-- should I be suing them?? Should I walk away and just keep living my life at as high a spiritual level as I can manage?? Don't worry -- will go into today's encounter peacefully -- a very , very difficult day lies ahead.
Yours,
André Cholmondeley
Tour Manager/Guitar Tech - Adrian Belew Power Trio
Founder/Guitarist/Grey Hairs - PROJECT/OBJECT - the longest running, internationally touring Zappa repertoire band. Actually Respecting the Alumni Who Made the Music Come Alive.
guitartour@earthlink.net
andre@adrianbelew.net
http://www.adrianbelew.net
I've always said that Dweezil is his mother's son. Here's proof.
This is why I will never patronize a Zappa Plays Zappa show ever again (unless Frank himself comes back)!
__________________
hello Friends....
Sorry -- this became kind of a long letter, but it helped me exorcise some real negative shit. It took me two hours.
I was working for ADRIAN BELEW, opening for ZPZ at Ottawa Bluesfest, Canada (Sat 5 July 2008)
Stuff turned REAL ugly.....
Basically---- one of Dweezil Zappa's guys, under his direct orders - threatened, pushed and physically attacked me.... !
For the horrible act of walking onto the stage to watch and enjoy the show. Really.
I should consider legal action actually..it was ...real ugly. real scary. I was shaking like a leaf... They have sued me many times, tried to at least. Should I return the favor? I ask your advice -- should I seek legal action?? I have countless witnesses, I was at work in a professional capacity. Canada law on this is actually quite bad news for someone who would want to work here again....I could cripple the Zappa family financially, real bad news since they are losing their shirts trying to do these tours, pay cuts, playing smaller and smaller venues etc isn't helping from what I hear.
Their Monitor guy, Dave, almost shoved me off the stage, a 10 to 15ft drop, so scary. Scenes of "broken leg in London Orchestra pit" may dance through your head......
These people actually had a MEETING on THE BUS...Tour Manager, Dweezil, crew, etc. Wrap your mind around the level off dysfunction -- to have a fucking MEETING about a guy you hate --- a guy who has never really done anything but piss you off for some reason. Imagine being so unprofessional -- and self-important -- to think that a HUGE festival, should do your bidding and ban people from public areas. I know - Unreal. - But -- par for the course in Post-Mortem Zappa-land. No surprise. Bullying at every turn.
After a meeting on the bus --Dweezil then demanded from the Festival stage manager (ONE HOUR before their show!!) that I would NOT BE SEEN by him (Dweezil).....!! he asked that he NOT SEE ME AT ALL, EVER, throughout the night. I can't wait to see when he delivers to the shocked people at TODAY's festival the same pompous request.
The incredible, pro stage mgr guy, Wiggy, from the Ottawa Bluesfest, ensured cooler heads prevailed all night. I hope we work together again.
Ok, Now, this is a GIANT festival with about 230 bands...11 days.... we are on a fucking SIDE STAGE -- and Dweezil DEMANDS of the festival staff- ONE HOUR BEFORE HIS SHOW - to KEEP ME OFF THE STAGE (even the side stage, monitor area, backstage, etc!!) and make sure he (DWEEZIL) NEVER SEE ME!!!! Can you even wrap your mind around that??? he wanted to CONTROL the attendance - at a public event he is getting paid to be at - of someone he is soooo pissed at. Unreal.
The (very cool) stage manager , when I asked him -- said " Dude - no, I have NO PROBLEM with you going into the AUDIENCE and watching them, front row, whatever. I just have to respect these guys and ask you to stay off the stage.
I wanna run a smooth show - I am here for 11 days, I have no time for issues"
As you all know-- I'm a fucking PRO, and I of course honored the request -- I stayed off stage. But this is after FINDING OUT for the first time....with the prick monitor guy SCREAMING IN MY FACE AT THE TOP OF HIS LUNGS -- SPITTING IN MY GODDAMN FACE...and pushing me backwards to the edge.... it was terrifying and I've seen a lot of dark shit in this life, trust me on that.
It was unreal. Surreal. The best part is -- before ZPZ played - BELEW played--- and I had met this very same guy - Dave - monitor guy -- and he was COOL!! We were rapping, talking gear, he showed me a pic on his computer of his guitar-rig..which featured the same amp that Adrian uses (Johnson JM 150), like good nerds we chuckled about that as well as his computer gadget his laptop sat on...some device with 2 fans to cool it off, blah blah blah. We talked about him being new on the crew, after I said "Napoleon says hi" --"oh no -- that was the old guy, I am new since last year, etc etc"....We talked all kinds of stuff -- later he claimed "Well I thought you were just acting like nothing was going on". Wow.
So-- SAME GUY turn into a RAGING PSYCHO 2 hrs later!!!! He literally almost pushed me off the stage and down some steps. It was scary shit. I can't emphazise that enough. I am shaking still, almost 12 hrs later as i type this after 4 hrs sleep.
I'm not easily shaken, you know that. But I drive 5 hrs today -- to another fest where ZPZ again plays right after us --- and I dunno how it will turn out.
I went to the monitor guy after the show and said "Dude, do you have something to say to me"??
He copped TONS of attitude, but I actually got him to begrudgingly apologize, I accepted it, kinda, since he claimed he had been TOLD by up to 6 people that I was FULLY INFORMED of my "persona non grata" status. Well- I wasn't informed.
The FIRST TIME I knew about ANY of this crap was when he violently accosted me!!
I think I will call the next P/O tour by that title. --- PERSONA NON GRATA.
how do you like it??
I feel extra let down that I wasn't warned, wasn't told. Joe Travers, the bass player Pete and other crew/band members said hi, some shook my hand, we rapped. I - as I always try to -- will give the benefit of the doubt that each person thought "Oh - I thought Someone ELSE told him". I feel sorry for these people -- including my hero Thomas Nordegg -- thee greatest guitar tech in the Solar System, who I had a lovely time hanging with all afternoon before I loaded in.
I feel sorry that they are all caught between the horrible pressure of being told to DISS ME as part of their job....and knowing me for years and knowing who and what I really am. Terrible - to put people in that position. But that's how tyrants operate. Pitting people against each other. It's worked for centuries. Check the history books.
OK. whatever. But does the 'adult' monitor guy need to have dealt with it that way??? Screaming at the TOP of his lungs, spitting his filthy fucking spit in my face, pushing me backwards in shock?? Later he even justified the screaming (!!) --- "hey my in-ear monitors were on". Yeah right. Any pro engineer knows how loud they are talking!! Ridiculous. Dude has major issues and I will make sure I deal with him today with lost of witnesses around.
Thank You,
André
Now -- I'm not gloating here but.......I'm The guy who, Unlike Dweezil Zappa, has shared the stage with more Zappa alumni and family than almost ANYONE BUT FRANK ZAPPA ..people like Ike Willis, Napoleon Murphy Brock, Candy Zappa, Ed Mann, Roy Estrada, Mike Keneally, Adrian Belew, Denny Walley, Don Preston, Bunk Gardner, Bob Harris, Thana Harris, Jimmy Carl Black, Billy Mundi, Ray White, Al Malkin, Arthur Barrow, Bruce Bickford and more.
Actually only someone like the amazing Ed Mann, Ike Willis, Scott Thunes or Chad Wackerman has been onstage with more people -- due to their LONG tenure in the band (over 21 years for Ed and about 7-10 years for Chad/Scott/Ike)
I'm not gloating. It's called PRIDE. I am proud I have dedicated a part of my musical life, just one part -- to paying back to a man who changed my life - Frank Zappa.
An amazing, genius man I was lucky enough to shake hands with several times, look in his eyes from 3 feet away, tell him a joke or two, walk up to at a concert and give a funny sign to (feb 1988 , wash DC) that made him laugh his ass off (cherished memory!! Making Zappa laugh!!! C'mon - can it get better??!!!)
A man who asked on his deathbed for people, musicians or not - to PLAY HIS MUSIC!! Frank asked for that -- I have always tried to honor that request. I am PROUD of engineering a SOLD OUT show at Irving Plaza, Halloween 2001, raising TEN GRAND for Prostate Cancer research (a show that owes much credit to my great management team at CEG Music in NYC and the great Matt Ross, now CEO of Paul Green School of Rock). I am PROUD of getting many , many alumni out of RETIREMENT and back onstage. I am PROUD of paying my way, losing money to go all the way to my beloved Germany, to play music and hang out with THOUSANDS of Freaks...at the Zappanale festival -now being SUED by Gail Zappa as well.
I'm proud of my work in this area. No one can or will ever take that away from me. Frank Zappa changed my WORLD at age 16.....and I am very very proud to have had the chance to meet most of his players, to call them all my friends to this day. I am proud to have his original family members as cherished friends. I say this not to impress anyone but to add perspective. No one reading this is unaware of the dark energy that has emanated from Zappa central in recent years. It's a thing of real concern.
PS: This is the core of what pisses them off. They have BURNT EVERY BRIDGE with most of the Zappa alumni and family -- and they hate themselves for it. They know they've BLOWN IT and insulted Frank's Legacy. They know they can NEVER turn back -- can never celebrate his deep kinship with so, so many people.
They know that Musicians they have sued, dissed in the press, not paid, ignored as they stood in the audience at ZPZ shows...won't take that crap and will not ever work with them. I have kept silent about THAT part of things for YEARS...but being physically threatened by Dweezil's crew CROSSES A LINE that I can never go back over. Sorry, Dweezil. You should have thought about your actions. Right now they are in court with the ZAPPANALE...they have sent cease and desist letters to Bogus Pomp and other bands, they keep going after the Grandmothers...suing TV stations....it doesn't end with me -- and that's how I sleep at night -- IT'S NOT JUST ME!!!
As peaceful as a person as I am----I cannot sit by with this crap - It's been OVER TEN YEARS of attacks, insulting emails from Gail, LAWSUIT THREATS, threats to some alumni who play with us, falsified, libelous letters from ASCAP/, and watching the SAME happen to many friends and colleagues WORLDWIDE. It's scary, downright scary. The "Zappa" "Family" feels it can just go around suing, attacking, and trying to squash the truth -- but reality and truth have a way of bubbling up.
Why has EVERY SINGLE LAWSUIT filed against me by Gail Zappa been thrown out ?? Why did i win in NY State Court AGAINST Gail Zappa and ASCAP? because their claims are baseless. My band stays within acceptable US and international law where applicable -- performing the music of a composer in certified venues. End of Story.
I write this to all of you -- in case some dark shit goes down today (Sun, 6 July 2008) at the 2nd festival, in Quebec City QC. I will go there - do my job -- and stay out of the way. I haven't decided yet if I will watch the music --some of my favorite music ever -- from the audience, up front, as I deserve. But we'll see.
My boss--my amazing friend actually -- Mr. Adrian Belew -- has not decided if he will perform on one song today with them. I can;'t speak for him but he is upset -- and feels caught between some painful stuff. Again-- the method of pitting people against each other is in play.
I Urged Adrian to do whatever he feels is right -- and to forget about this (I know- impossible). But he knows that I will not at all be upset if he gets onstage with them, well, with Dweezil. You know why?? Because from BEGINNING TO END -- I have always been about one goddamned thing - FRANK and HIS MUSIC...and about YOU -- the fans and alumni! that's all!!! Every last one of you on here, many who have celebrated Frank's amazing music with me and my band....KNOW THAT. And I thank you again -- and hope we meet again in music.
I also thank, deeply, a blood relative of Frank's who will remain nameless -- who related to me 2 days ago, before all this - in email an old saying:
"They .....will get you sick before you get them well.
"
(this person added the words........)
"I urge you to protect your beautiful mind from the psychic poison, of which there is a never ending supply.
"
Great stuff. This made my day. I am trying to do that, my friend. I am trying real hard. You got me through yesterday in many ways and your words will echo all day as I deal with another encounter with this dysfunctional camp.
This letter is public domain. Spread It to others if you feel the need. Post it on forums. Delete it if you don't care. But ponder it as another chapter in this crazy, post-mortem, mis-handling of Frank's legacy. Horrible.
I will get it on my blog soon at http://robotvomit. blogspot. com/
PS -Believe it or not --- when I heard about us opening for ZPZ -- after getting over the shock and apprehension, I decided that if I saw Dweezil, I would walk up to him and say "hey man... I know there's lots of water under the bridge..but it's GREAT what you have done and are doing...and just fantastic how you have celebrated your dad's music - Thank You.
"
Ike Willis, Napoleon Murphy Brock and others are my witness on that, I told them of my intent over a month ago. I was taking the high road -- I greeted every single one of Dweezil's crew with honor and respect -- I genuinely loved meeting the ones I didn't know -- I stayed and watched their show (missing most of Steely Dan, ouch!!) - even after all the crap. I watched, invisibly, from the backstage grounds near stage left. I kept myself unseen. I honored the festival stage manager's requests - great guy. I'm about the music and I want you to know that always. But this crap can't be allowed.
Help me-- should I be suing them?? Should I walk away and just keep living my life at as high a spiritual level as I can manage?? Don't worry -- will go into today's encounter peacefully -- a very , very difficult day lies ahead.
Yours,
André Cholmondeley
Tour Manager/Guitar Tech - Adrian Belew Power Trio
Founder/Guitarist/Grey Hairs - PROJECT/OBJECT - the longest running, internationally touring Zappa repertoire band. Actually Respecting the Alumni Who Made the Music Come Alive.
guitartour@earthlink.net
andre@adrianbelew.net
http://www.adrianbelew.net
Friday, July 04, 2008
The ride of your life
My mom sent me the following burble from George Carlin. I figured this day, my 45th birthday, would be a good day to share with you all this bit from one of the greatest comedians of our time.
The Ride of your life - George Carlin
Enjoy the ride; there is no return ticket.
George Carlin's Views on Aging
Do you realize that the only time in our lives when we like to get old is when we're kids? If you're less than 10 years old, you're so excited about aging that you think in fractions.
'How old are you?' 'I'm four and a half!' You're never thirty-six and a half. You're four and a half, going on five! That's the key.
You get into your teens, now they can't hold you back. You jump to the next number, or even a few ahead.
'How old are you?' 'I'm gonna be 16!' You could be 13, but hey, you're gonna be 16! And then the greatest day of your life ! You become 21. Even the words sound like a ceremony. YOU BECOME 21. YES!
But then you turn 30. Oooohh, what happened there? Makes you sound like bad milk! He TURNED; we had to throw him out. There's no fun now, you're just a sour-dumpling. What's wrong? What's changed?
You BECOME 21, you TURN 30, then you're PUSHING 40. Whoa! Put on the brakes, it's all slipping away. Before you know it, you REACH 50 and your dreams are gone.
But wait! You MAKE it to 60. You didn't think you would!
So you BECOME 21, TURN 30, PUSH 40, REACH 50 and make it to 60.
You've built up so much speed that you HIT 70! After that it's a day-by-day thing; you HIT Wednesday!
You get into your 80's and every day is a complete cycle; you HIT lunch; you TURN 4:30; you REACH bedtime. And it doesn't end there. Into the 90s, you start going backwards; 'I Was JUST 92.'
Then a strange thing happens. If you make it over 100, you become a little kid again. 'I'm 100 and a half!'
May you all make it to a healthy 100 and a half!!
Life's journey is not to
arrive at the grave safely
in a well preserved body,
but rather to skid in sideways,
totally worn out, shouting
"...holy shit ...what a ride!"
The Ride of your life - George Carlin
Enjoy the ride; there is no return ticket.
George Carlin's Views on Aging
Do you realize that the only time in our lives when we like to get old is when we're kids? If you're less than 10 years old, you're so excited about aging that you think in fractions.
'How old are you?' 'I'm four and a half!' You're never thirty-six and a half. You're four and a half, going on five! That's the key.
You get into your teens, now they can't hold you back. You jump to the next number, or even a few ahead.
'How old are you?' 'I'm gonna be 16!' You could be 13, but hey, you're gonna be 16! And then the greatest day of your life ! You become 21. Even the words sound like a ceremony. YOU BECOME 21. YES!
But then you turn 30. Oooohh, what happened there? Makes you sound like bad milk! He TURNED; we had to throw him out. There's no fun now, you're just a sour-dumpling. What's wrong? What's changed?
You BECOME 21, you TURN 30, then you're PUSHING 40. Whoa! Put on the brakes, it's all slipping away. Before you know it, you REACH 50 and your dreams are gone.
But wait! You MAKE it to 60. You didn't think you would!
So you BECOME 21, TURN 30, PUSH 40, REACH 50 and make it to 60.
You've built up so much speed that you HIT 70! After that it's a day-by-day thing; you HIT Wednesday!
You get into your 80's and every day is a complete cycle; you HIT lunch; you TURN 4:30; you REACH bedtime. And it doesn't end there. Into the 90s, you start going backwards; 'I Was JUST 92.'
Then a strange thing happens. If you make it over 100, you become a little kid again. 'I'm 100 and a half!'
May you all make it to a healthy 100 and a half!!
Life's journey is not to
arrive at the grave safely
in a well preserved body,
but rather to skid in sideways,
totally worn out, shouting
"...holy shit ...what a ride!"
Friday, June 27, 2008
Nearfest X
Just a rundown of the 10th occurrence of Nearfest (North East Art Rock Festival), which I attended last weekend.
Please note: The following are my opinions alone and are not here for anyone's approval. Disagreements or arrogant criticism by any "prog snobs" named "anonymous" will not be posted.
Friday:
Larry Fast - I like Larry and his Synergy, and I found his set to be interesting only because of the visuals and especially because of his short lectures on the history of his equipment and how he creates what he does and why he could not perform live until recently. Otherwise, as a live show, it would have been less than spectacular. I did note that it would have been amazing "under the influence of a fantastic amount of trendy chemical amusement aid." ;-)
Fish - Other than having heard of him, and knowing that he used to be in Marillion, I knew little about Fish. I have yet to check out Marillion, and while I do have Bouillabaisse, I only listened to it a couple of times a long time ago. So basically this was new to me. I thought it was an awesome set. The music was strong and tight, and while Fish’s voice is strained a la Ian Anderson, he more than made up for it with his powerful stage presence.
All in all a great start to the weekend.
Saturday:
Koenji Hyakkei - A great start to Saturday. I loved the music...a very tight sort of jazz-fusion. I could have done without the sax and noise vocals (I’ll call this the RIO aspect...I’m not a fan of RIO), but the vocalist had a beautiful voice when she sang "normally", and like I said, the music was top-notch. I really enjoyed their set overall, but I wouldn’t buy their music and listen to it.
Discipline - Like Fish, I had no idea about this group. In fact, until Matthew Parmenter did a solo spotlight, I didn’t even know they existed. This was the first performance that *really* grabbed me, meaning that I knew that I need to check these guys out further. At the urging of Adam Perkowsky (he offered to finance the purchase), I picked up Unfolded Like Staircase, and it is my new favorite album (I paid for it myself btw). Great set from a great band. They gained a new fan for sure.
Peter Hamill - After hearing one song, I stayed for the whole thing just to take pictures. This should have been a 30 minute solo spotlight (had there been SS this year), not a 100 minute set.
Liquid Tension Experiment - A fantastic finish to a mostly fantastic day. I have had their two albums (Spontaneous Combustion doesn’t really count) since they came out and have always liked these guys. They are the band I was most familiar with all weekend. They did not disappoint. They were loud, tight, heavy, energetic, and highly entertaining. I commented to my festival mates (Mike Montfort and Scott Montgomery) that Mike Portnoy a) made playing the drums look easy, and b) looked like he was having a blast doing it.
Sunday:
Mörglbl - The Sunday prog church slot did not disappoint. This high energy band was a lot of fun and highly entertaining. Christophe Godin and Ivan Rougny are quite the animated showmen, which made getting interesting photos easy. Oh, and the music was pretty good too. :-)
Radio Massacre International - This music would have been perfect if I had been on my couch or easy chair, or even a hammock on a breezy summer day, but watching guys tinker with knobs doesn’t make for the most ideal live visual. From an audio standpoint, I liked it, and I did like it better when they played full band stuff and also when they had Cyndee Lee Rule and Premik Russell Tubbs out on stage with them. The best part of the show was the very last song (full band with a great guitar solo). If the entire set had been like that, I would have enjoyed it much more.
Echolyn - The only album of theirs that I have and have heard is As The World. I remember liking it somewhat, but not enough to keep me hooked. They put on a great show, and I really liked the music, but it didn’t wow me like Discipline did. It was enjoyable enough to check them out further, but the jury is still out for me.
Banco - Again, was not familiar with this band at all. After Fish on Friday, we were thinking that LTE would have to really shine to top that. They did, and then we thought that Banco had a lot of pressure to top LTE. They certainly did. This really is an amazing band, and I felt this was easily the strongest closer of any Nearfest that I personally have been to (been going since 2004). A very powerful performance by a great band. A very apropos way to end this chapter of Nearfest.
Not too much in the way of purchases this year:
- NF program
- Official NF gray T-shirt
- Two NF pint glasses (one for Val)
- Pure Reason Revolution - Live At Nearfest 2007
- Discipline - Unfolded Like Staircase
- Mörglbl - Grötesk
- Fireballet - Promo Sampler and T-shirt (both free)
- Progday Encore? box set ($20 for 7 CDs is a no brainer)
- Echolyn - Mei ($0.99 MP3 from Amazon)
- Echolyn - The End Is Beautiful ($6.99 as above)
The galleries of photos I took can be seen by clicking the slideshows above, or by going here:
http://picasaweb.google.com/clark.m.s
Three years, two months, two weeks, 18 hours smober.
46871 cigarettes not smoked, saving $12,303.68.
Life saved: 23 weeks, 1 day.
Please note: The following are my opinions alone and are not here for anyone's approval. Disagreements or arrogant criticism by any "prog snobs" named "anonymous" will not be posted.
Friday:
Larry Fast - I like Larry and his Synergy, and I found his set to be interesting only because of the visuals and especially because of his short lectures on the history of his equipment and how he creates what he does and why he could not perform live until recently. Otherwise, as a live show, it would have been less than spectacular. I did note that it would have been amazing "under the influence of a fantastic amount of trendy chemical amusement aid." ;-)
Fish - Other than having heard of him, and knowing that he used to be in Marillion, I knew little about Fish. I have yet to check out Marillion, and while I do have Bouillabaisse, I only listened to it a couple of times a long time ago. So basically this was new to me. I thought it was an awesome set. The music was strong and tight, and while Fish’s voice is strained a la Ian Anderson, he more than made up for it with his powerful stage presence.
All in all a great start to the weekend.
Saturday:
Koenji Hyakkei - A great start to Saturday. I loved the music...a very tight sort of jazz-fusion. I could have done without the sax and noise vocals (I’ll call this the RIO aspect...I’m not a fan of RIO), but the vocalist had a beautiful voice when she sang "normally", and like I said, the music was top-notch. I really enjoyed their set overall, but I wouldn’t buy their music and listen to it.
Discipline - Like Fish, I had no idea about this group. In fact, until Matthew Parmenter did a solo spotlight, I didn’t even know they existed. This was the first performance that *really* grabbed me, meaning that I knew that I need to check these guys out further. At the urging of Adam Perkowsky (he offered to finance the purchase), I picked up Unfolded Like Staircase, and it is my new favorite album (I paid for it myself btw). Great set from a great band. They gained a new fan for sure.
Peter Hamill - After hearing one song, I stayed for the whole thing just to take pictures. This should have been a 30 minute solo spotlight (had there been SS this year), not a 100 minute set.
Liquid Tension Experiment - A fantastic finish to a mostly fantastic day. I have had their two albums (Spontaneous Combustion doesn’t really count) since they came out and have always liked these guys. They are the band I was most familiar with all weekend. They did not disappoint. They were loud, tight, heavy, energetic, and highly entertaining. I commented to my festival mates (Mike Montfort and Scott Montgomery) that Mike Portnoy a) made playing the drums look easy, and b) looked like he was having a blast doing it.
Sunday:
Mörglbl - The Sunday prog church slot did not disappoint. This high energy band was a lot of fun and highly entertaining. Christophe Godin and Ivan Rougny are quite the animated showmen, which made getting interesting photos easy. Oh, and the music was pretty good too. :-)
Radio Massacre International - This music would have been perfect if I had been on my couch or easy chair, or even a hammock on a breezy summer day, but watching guys tinker with knobs doesn’t make for the most ideal live visual. From an audio standpoint, I liked it, and I did like it better when they played full band stuff and also when they had Cyndee Lee Rule and Premik Russell Tubbs out on stage with them. The best part of the show was the very last song (full band with a great guitar solo). If the entire set had been like that, I would have enjoyed it much more.
Echolyn - The only album of theirs that I have and have heard is As The World. I remember liking it somewhat, but not enough to keep me hooked. They put on a great show, and I really liked the music, but it didn’t wow me like Discipline did. It was enjoyable enough to check them out further, but the jury is still out for me.
Banco - Again, was not familiar with this band at all. After Fish on Friday, we were thinking that LTE would have to really shine to top that. They did, and then we thought that Banco had a lot of pressure to top LTE. They certainly did. This really is an amazing band, and I felt this was easily the strongest closer of any Nearfest that I personally have been to (been going since 2004). A very powerful performance by a great band. A very apropos way to end this chapter of Nearfest.
Not too much in the way of purchases this year:
- NF program
- Official NF gray T-shirt
- Two NF pint glasses (one for Val)
- Pure Reason Revolution - Live At Nearfest 2007
- Discipline - Unfolded Like Staircase
- Mörglbl - Grötesk
- Fireballet - Promo Sampler and T-shirt (both free)
- Progday Encore? box set ($20 for 7 CDs is a no brainer)
- Echolyn - Mei ($0.99 MP3 from Amazon)
- Echolyn - The End Is Beautiful ($6.99 as above)
The galleries of photos I took can be seen by clicking the slideshows above, or by going here:
http://picasaweb.google.com
Three years, two months, two weeks, 18 hours smober.
46871 cigarettes not smoked, saving $12,303.68.
Life saved: 23 weeks, 1 day.
Monday, June 23, 2008
Tuesday, April 08, 2008
Porcupine Tree '08 Update on JamBase
PLOT BUSY SCHEDULE IN NEW YEAR
Porcupine Tree will spend a busy 2008 releasing or recording no less than 8 albums by the band and its members’ solo projects.
The first major event for Porcupine Tree is the re-release on April 29 of their seminal 2000 album, Lightbulb Sun (Snapper Music/ Peaceville), in a new 5.1 digital surround mix by Porcupine Tree band leader Steven Wilson. Wilson received praise for his surround mix of 2007’s Fear Of A Blank Planet. It nominated for a Grammy in the "Best Surround Sound Album" category, Sound & Vision named it the best surround sound album of 2007 and Classic Rock Magazine crowned it their album of the year.
Porcupine Tree drummer Gavin Harrison, named "best prog drummer" for the second consecutive year in the 2008 Modern Drummer reader’s poll, will join King Crimson for 10 U.S tour dates in New York, Chicago, Nashville and Philadelphia this August, with additional dates to be added in 2009.
Other 2008 projects for Porcupine Tree include:
-A double live album to be released in multiple formats in September
-Filming a new concert DVD in October for 2009 release
-The first ever Porcupine Tree tour dates in Australia and Russia this summer
-Steven Wilson’s debut solo album in late 2008
-The May release of Schoolyard Ghosts by Steven Wilson’s band No-Man with singer Tim Bowness, and a No-Man European mini-tour
-The release of British rockers Anathema’s new album, produced by Steven Wilson
-The release of Porcupine Tree keyboardist Richard Barbieri’s new solo album
-The release of Porcupine Tree bassist Colin Edwin’s new album with Geoff Leigh as the band Ex-Wise Heads
http://www.porcupinetree.com/
Thursday, March 06, 2008
Porcupine Tree news!
It's about time!
A brand new edition of the long out of print 2000 Porcupine Tree studio album "Lightbulb Sun" will be issued next month.
Along with "Recordings" (also due for reissue later this year) the album is the missing part of the PT discography. It contains the original studio versions of PT favorites such as Shesmovedon, Russia On Ice, Hatesong, and Feel So Low, and has been lavishly revamped into a definitive 2 disc set. Disc one is a CD containing a pristine remix / remaster of the album, while disc two is a DVDA (playable on any DVD player) containing the album remixed into 5.1 surround sound (in DVDA and DTS versions), as well as a 24 bit high resolution version of the stereo mix, and the original 2000 mix/master. Also included are 5.1 mixes of bonus tracks Disappear, Buying New Soul, and Cure for Optimism, which were recorded during the same sessions. This is the definitive version of one of the essential albums in the PT catalogue.
The album is officially released on 21st April through KScope / Snapper, but is available to pre-order now from the PT Store - these pre-orders will ship 2 weeks earlier. Please note that due to the very weak dollar we are unable to compete with prices at US retail outlets like Amazon, so to make savings on both the price and the shipping costs we do suggest that US customers wait until the album is officially released.
Two years, ten months, three weeks, 14 hours smober.
42303 cigarettes not smoked, saving $11,105.07.
Life saved: 20 weeks, 6 days, 21 hours.
A brand new edition of the long out of print 2000 Porcupine Tree studio album "Lightbulb Sun" will be issued next month.
Along with "Recordings" (also due for reissue later this year) the album is the missing part of the PT discography. It contains the original studio versions of PT favorites such as Shesmovedon, Russia On Ice, Hatesong, and Feel So Low, and has been lavishly revamped into a definitive 2 disc set. Disc one is a CD containing a pristine remix / remaster of the album, while disc two is a DVDA (playable on any DVD player) containing the album remixed into 5.1 surround sound (in DVDA and DTS versions), as well as a 24 bit high resolution version of the stereo mix, and the original 2000 mix/master. Also included are 5.1 mixes of bonus tracks Disappear, Buying New Soul, and Cure for Optimism, which were recorded during the same sessions. This is the definitive version of one of the essential albums in the PT catalogue.
The album is officially released on 21st April through KScope / Snapper, but is available to pre-order now from the PT Store - these pre-orders will ship 2 weeks earlier. Please note that due to the very weak dollar we are unable to compete with prices at US retail outlets like Amazon, so to make savings on both the price and the shipping costs we do suggest that US customers wait until the album is officially released.
Two years, ten months, three weeks, 14 hours smober.
42303 cigarettes not smoked, saving $11,105.07.
Life saved: 20 weeks, 6 days, 21 hours.
Saturday, February 23, 2008
Double Standard?
Heard about this on the radio the other day.
It's a video about a White guy getting beaten by several Black guys in a NYC deli. He was punched in the face, then kicked by another guy while being surrounded by a whole group of male AND female thugs. They also robbed the guy. Front page news, right? Nope. Try page 17. Meanwhile, make a noose at Columbia University and it's right on the cover of the paper.
Animals
This was a racial attack, but you hear nothing of it. Where is that asshole Al Sharpton now?
This is racism working the other way, so it's not important.
However, on the upside, a bit of poetic justice.
Larry Davis is dead.
It's a video about a White guy getting beaten by several Black guys in a NYC deli. He was punched in the face, then kicked by another guy while being surrounded by a whole group of male AND female thugs. They also robbed the guy. Front page news, right? Nope. Try page 17. Meanwhile, make a noose at Columbia University and it's right on the cover of the paper.
Animals
This was a racial attack, but you hear nothing of it. Where is that asshole Al Sharpton now?
This is racism working the other way, so it's not important.
However, on the upside, a bit of poetic justice.
Larry Davis is dead.
Wednesday, February 20, 2008
Random thoughts and observations
I was on my way home tonight, and some dipshit in front of me in a Honda Civic came to a COMPLETE stop on an entrance ramp to a major highway. FYI, there were no cars coming to even warrant a slow yield. It often amazes me how many clueless people possess a driver's license.
Speaking of clueless drivers....do me a favor, if you live in Pennsylvania, or know anyone who lives in Pennsylvania, please help spread the word to all your friends and family that despite whatever the law is in PA, in NJ it is the LAW to KEEP RIGHT EXCEPT TO PASS! If I had $1 for every PA douchebag cruising casually in the left lane and not passing the cars in the center lane in NJ, I could retire! Oh, and for my PA readers of this blog, if this applies to you, nothing personal I assure you. :-)
Don't get me wrong, we have plenty of our own "Left Lane Dick's" in NJ, but in my experience, the PA contingent far outnumbers the NJ; at least on Rt 78.
One last driving related comment. I noticed that they are going to be cracking down on non-handsfree cell phone use while driving starting March 1. I hope they mean it. I can't tell you how many times I see someone driving like they're stoned, only to pass them and see that it's some asshole talking away with their cell phone to their ear and paying no bit of attention to their surroundings. Frankly, I don't understand what is so difficult about using a headset in the car. Most phones these days come with bluetooth, and bluetooth headsets are not expensive anymore. Even if you don't have bluetooth, what phone does not come with a basic earpiece? No, it's just plain laziness and arrogance. And for those who say there is no difference between a headset or not, I beg to differ. I have talked on my cell both with and without a headset while driving, and there most certainly is a difference in your concentration. Holding a phone to your head with one of your hands adds an unnecessary distraction, not to mention tying up what should be a free hand.
I heard in the news last week that some teenage girl was killed in a car accident, and her cell phone showed that she was in the middle of a text message. Yup...people (mostly young) are now texting while they drive.
Everyone's invincible until they're dead.
Most of you by now have probably heard that Mrs. Obama stated that for the first time in her adult life, she is actually "proud to be an American." The FIRST time? Up until now this country has given you no sense of pride?
Of course, supporters are spinning it to say that it's not literally what she meant. You know what? It probably isn't, but you can bet that if Mrs. McCain said the same thing, the liberals would have been all over it. Point is, it's good to see the scrutiny and criticism go the other way for a change. Nobody's perfect...not even Democrats.
I have to say, I like Barack, but Michelle seems like a loose cannon, and I'm not sure I'd be thrilled with her as First Lady.
Finally, for those of you who wisely held off on buying a BlueRay/HD DVD player to go with your HDTV until a format winner was declared, looks like you can now start shopping. Toshiba announced earlier this week that they have officially withdrawn from the format wars and have conceded defeat. BlueRay is the winner as the last movie company holdout (Paramount I think) has joined BlueRay support. So, BlueRay is the new VHS, and poor HD is suddenly the new Betamax...obsolete in it's infancy.
Sorry HD...we hardly new ye.
Two years, ten months, six days, 15 hours smober.
41705 cigarettes not smoked, saving $10,948.15.
Life saved: 20 weeks, 4 days, 19 hours.
Speaking of clueless drivers....do me a favor, if you live in Pennsylvania, or know anyone who lives in Pennsylvania, please help spread the word to all your friends and family that despite whatever the law is in PA, in NJ it is the LAW to KEEP RIGHT EXCEPT TO PASS! If I had $1 for every PA douchebag cruising casually in the left lane and not passing the cars in the center lane in NJ, I could retire! Oh, and for my PA readers of this blog, if this applies to you, nothing personal I assure you. :-)
Don't get me wrong, we have plenty of our own "Left Lane Dick's" in NJ, but in my experience, the PA contingent far outnumbers the NJ; at least on Rt 78.
One last driving related comment. I noticed that they are going to be cracking down on non-handsfree cell phone use while driving starting March 1. I hope they mean it. I can't tell you how many times I see someone driving like they're stoned, only to pass them and see that it's some asshole talking away with their cell phone to their ear and paying no bit of attention to their surroundings. Frankly, I don't understand what is so difficult about using a headset in the car. Most phones these days come with bluetooth, and bluetooth headsets are not expensive anymore. Even if you don't have bluetooth, what phone does not come with a basic earpiece? No, it's just plain laziness and arrogance. And for those who say there is no difference between a headset or not, I beg to differ. I have talked on my cell both with and without a headset while driving, and there most certainly is a difference in your concentration. Holding a phone to your head with one of your hands adds an unnecessary distraction, not to mention tying up what should be a free hand.
I heard in the news last week that some teenage girl was killed in a car accident, and her cell phone showed that she was in the middle of a text message. Yup...people (mostly young) are now texting while they drive.
Everyone's invincible until they're dead.
Most of you by now have probably heard that Mrs. Obama stated that for the first time in her adult life, she is actually "proud to be an American." The FIRST time? Up until now this country has given you no sense of pride?
Of course, supporters are spinning it to say that it's not literally what she meant. You know what? It probably isn't, but you can bet that if Mrs. McCain said the same thing, the liberals would have been all over it. Point is, it's good to see the scrutiny and criticism go the other way for a change. Nobody's perfect...not even Democrats.
I have to say, I like Barack, but Michelle seems like a loose cannon, and I'm not sure I'd be thrilled with her as First Lady.
Finally, for those of you who wisely held off on buying a BlueRay/HD DVD player to go with your HDTV until a format winner was declared, looks like you can now start shopping. Toshiba announced earlier this week that they have officially withdrawn from the format wars and have conceded defeat. BlueRay is the winner as the last movie company holdout (Paramount I think) has joined BlueRay support. So, BlueRay is the new VHS, and poor HD is suddenly the new Betamax...obsolete in it's infancy.
Sorry HD...we hardly new ye.
Two years, ten months, six days, 15 hours smober.
41705 cigarettes not smoked, saving $10,948.15.
Life saved: 20 weeks, 4 days, 19 hours.
Monday, February 18, 2008
Nil Recurring and We Lost the Skyline released today!
Some Porcupine Tree news from their MySpace page:
Nil Recurring is finally given a full retail release today, and Peaceville have a micro site dedicated to the album which includes a new video by Lasse Hoile for the song "Normal". The retail edition of the album is identical to the original mail order version except that it comes in a super-jewel case with a card slipcase, instead of the digipack Transmission version. Both this and the We Lost the Skyline CD are now shipping from the PT Store.
Two years, ten months, four days smober.
41611 cigarettes not smoked, saving $10,923.43.
Life saved: 20 weeks, 4 days, 11 hours, 35 minutes.
Nil Recurring is finally given a full retail release today, and Peaceville have a micro site dedicated to the album which includes a new video by Lasse Hoile for the song "Normal". The retail edition of the album is identical to the original mail order version except that it comes in a super-jewel case with a card slipcase, instead of the digipack Transmission version. Both this and the We Lost the Skyline CD are now shipping from the PT Store.
Two years, ten months, four days smober.
41611 cigarettes not smoked, saving $10,923.43.
Life saved: 20 weeks, 4 days, 11 hours, 35 minutes.
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